Page 391 - Chinese Art, Vol II By Stephen W. Bushell
P. 391

PICTORIAL ART.                    133

             fold.  The northern school maintained  all the traditions of the
             academic style and required  of  the painters the most  finished
             technical mastership of the brush.  The southern school, on the
             contrary,  left more independence and fancy to the inspiration of
             the artist, it permitted more freedom of work, a less strict observ-
             ance of classical rules, perhaps even a certain tendency towards
             naturalism.  Wang  Wei.  one  of  the  most  distinguished  ex-
             ponents of the southern school, by his writings on landscape paint-
             ing, as well as by his actual work with the brush, founded a new
             style which threw over many of the old formal rules and perfected
             its methods by direct insj)iration from nature.  Many of his pupils
             have been natives of Ch'eng-tu, the capital of Ssuch'uan, a pro-
             vince where nature is manifested in its grandest forms, framed in
             mountain ranges alive with torrents and waterfalls, worthy of the
             highest efforts of the landscape painter.


                 3. Period of Development and Decline, a.d. 960-1643.

               The short-lived five dynasties which succeeded the T'ang,  al-
             though distinguished by a number of painters, one of whom, Huang
             Ch'iian (loth century), is represented in the British Museum by two
             pictures on silk of fowls and peonies (Nos. 4, 5-'8i), may be passed
             over here  to proceed at once to the Sung dynasty.  The Sung
             dynasty entered in 960 upon some three hundred years of literary
             and artistic glory, and has a long record of painters, extending to
             over eight hundred names, in the encycloptedia.  It never, however,
              ruled the whole of China, but was gradually forced southwards by
              the encroachments of the Tartar races, one of which, the Mongol,
              was destined to supplant it finally in the year 1280.  The capital,
              first established at K'ai-feng-fu in Honan, was moved to Hang-
              chou-fu in 1129, after which date the latter place, the Kingsai of
              Marco Polo, became the greatest art centre in China.  When the
              Mongols were driven out in 1368, the first Ming emperor had his
                 S941.                                           2x1
   386   387   388   389   390   391   392   393   394   395   396