Page 69 - Chinese Art, Vol II By Stephen W. Bushell
P. 69

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                                POTTERY.                        II

        are embossed with  mouldings, impressed with delicate diapers,
        or chiselled with decorative designs.  Others, again, are painted
        with enamel colours, applied with a brush in sensible  relief, or
        inlaid, as it were, in a ground previously worked for the purpose,
        after the technique of a champlcv'e enamel on copper.  The material
        makes a charming background for a spray of flowers worked in
        clear cobalt blue with a vitreous flux, or for a landscape lightly
        pencilled in the soft greyish white afforded by arsenic.  The decora-
        tion  in multiple colours  is almost too elaborate, especially when
        the piece  is completely covered, so  that none of the ground  is
        visible, and the nature of the excipient can only be detected by
        examining the rim of the foot underneath.
          All kinds of things usually made of porcelain in China are fabri-
        cated at Yi-hsing of this peculiar faience, but it is considered most
        suitable for small ohjets de luxe, and these are often very cunningly
        and minutely finished.  Miniature teapots and fruit and flowers
        of natural design are adapted to hold water for the writer's palettes
        scent bottles, rouge pots, powder boxes, saucers, and other nameless
        accessories are provided for the toilet table  ; flower vases, comfit
        dishes, chopstick trays, and miniature winecups for the dining
        board.  The mandarin wears a thumb-ring, a tube for the peacock
        feather in his hat, and has enamelled beads and other ornaments for
        his rosary made of this material  ; the Chinese exquisite carries a
        snuff bottle, the tobacco smoker has a decorated water pipe, and the
        opium devotee selects a bowl and muzzle for his bamboo pipe
        artistically inlaid in soft vitrified colour at these kilns.
          Two teapots of quaint form from the potteries of Yi-hsing are
       illustrated in Fig. 3.  The first, one of a pair, is moulded in brown
        boccaro ware in the form of a shciig, or mouth-organ, of which tli£
       blowing tube makes the spout of the teapot.  The second, teapot
        and cover,  is made of buff-coloured stoneware in the shape of a
       pomegranate, reversed, to which are attached various other fruits
       and seeds in different coloured clays.  The handle is the fruit of the
          ami.                                               G
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