Page 51 - Fine Asian Works of Art December 19, 2016, SF
P. 51

PROPERTY FROM A MONTEREY PRIVATE COLLECTION

8053W                                                                     However, there are several examples of Guangdong Embroidery in
A HARDWOOD SCREEN MOUNTED WITH GUANGDONG                                  the Qing palace collection dated to the 18th century and clearly made
EMBROIDERY SILK PANELS                                                    for imperial use rather than foreign commercial sale. One example
Late Qing/Republic period                                                 dated to the Qianlong period is in Shan Guoqiang, ed, Zhixiu Shuhua:
Comprised of eleven panels bordered by inlaid mother-of-pearl Eight       Gugong Bowuyuan Cang Wenwu Zhenpin Quanji [Embroidered
Immortal emblems framing reticulated scroll work of shou medallion,       Pictures: The Complete Collection of Treasures of the Palace Museum]
auspicious bat, and fruit basket motifs backed by mirrors, all            (Hong Kong: The Commercial Press, 2005), 50-51, no 20.
surrounding the continuous and intricately rendered landscape tableau
of the Eight immortals and Shoulao stitched upon a cream-hued             There are signs that the present lot could indeed possibly have
ground in threads of understated greens, periwinkle, and burnt umber,     been one of these imperially commissioned examples, as the
the largest central panel reversed by an incised maker's mark reading     swash-buckling raconteur Roy Chapman Andrews reputedly always
Guangdong Caiyuan; together with a custom-made wooden plinth for          maintained. First of all, the imposing size, breathtaking intricacy and
display.                                                                  more unusual subject matter would seem more geared to a domestic
65 3/4in (167cm) height exclusive of plinth                               Chinese audience as opposed to the much more common (and
                                                                          easier to transport) Guangdong embroidered One Hundred Birds
US$10,000 - 15,000                                                        table screens usually seen at auction. Also notable is the inscription
                                                                          reversing the Shoulao panel reading Guangdong Caiyuan. A table
Provenance                                                                screen in the Palace Collection dated as 'Qing dynasty' is reversed by
Acquired by Roy Chapman Andrews (1884-1960)                               a label from this same Caiyuan textile factory (Shan, ibid, 56-57, no
Thereupon a Private Monterey Collection since at least 1957               25). The lengthy inscription on that published example (which Shan
                                                                          calls 'of advertisement quality [Guanggao xingzhi]') describes in detail
Among the varied types of Chinese needlework, Guangdong                   the panoply of high quality embroidered products the Caiyuan ateliers
embroidery (Yuexiu/Guangxiu) is characterized by a more subdued           presented to the court-- including notably landscape and figure panels
color palette of threads utilized in a dazzling variety of stitching      like the present lot. The label concludes by admonishing the discerning
techniques. A high percentage of these pieces were manufactured           client to beware of fakes and accept no substitutes.
in the late 19th century and afterwards for export to the west as the
economy of the Pearl River delta started to gear itself towards foreign
trade. For a more in-depth overview of this type of textile see Li Yulai
and Li Yufang, Ming Qing Xiupin [Embroideries of Ming and Qing
Dynasties] (Shanghai: Donghua Daxue Chuban She, 2012), 73-83.

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