Page 139 - Deydier UNDERSTANDING CHINESE ARCHAIC BRONZES
P. 139

The Tortoise or Turtle Motif 龜紋
 For the Chinese people, from early antiquity up to the present moment,
 the tortoise or turtle is the symbol of longevity and auspiciousness. It is
 recorded that in the Xia 夏, Shang 商, Zhou 周 and even later periods,
 the tortoise was considered so precious and sacred that only the King
 Emperor and his Princes and Dukes were permitted to keep tortoises in
 captivity and that in the Royal Temple a special chamber was reserved
 for tortoises, which like the ding 鼎, were considered national treasures
 as well as sacred creatures invested with god-like powers.

 In ancient times and even among modern practitioners of feng shui 風
 水, the tortoise was and is still considered a mystical creature endowed
 with the ability to help man predict the future, to serve as a mediator
 between man and the world of gods, spirits and the dead and, perhaps
 most importantly, to transform harmful, inauspicious  forces  into
 beneficial,  auspicious  ones,  ill-luck  into  good  fortune,  enemies  into
 supporters.

 It is not by  chance  then  that  the  ancient  ancestors  of  the  Chinese,
 the people of the Shang 商, made use of the tortoise’s shell as well as
 other creatures’ bones, when carrying out  oracle bone,  jiaguwen  甲
 骨文 (Tortoise Shell and Bone Writing), divinations to seek the help
 of the  spirits and ancestors in determining  the  auspiciousness  or
 inauspiciousness  of any important planned  undertaking,  including
 making war, forming alliances, marrying,  attempting  to  recover
 escaped slaves, commencing agricultural work, etc.


 As early as the Erligang 二里崗 period (circa 17 /16  – 14  centuries
 th
 th
 th
 B.C.) of the Shang 商 dynasty, the turtle, like the dragon and the fish,
 was very often used as a decorative motif inside the large deep-dish-
 shaped pan 盤 bronze vessels used for ritual libations, suggesting the
 tortoise’s auspicious relationship with water and the netherworld.














 th
 th
 Turtle motif, detail of the pan, Shang dynasty, Erligang period (circa 17 /16  – circa 14  centuries
 th
 B.C.) shown on page 73.
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