Page 147 - Fine Chinese, Japanese and Buddhist Art September 28, 2018 Galerie Zacke
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              A LARGE AND IMPORTANT SANDSTONE STELE OF MAHAVIRA,
              MADHYA PRADESH, 16 TH-  18  CENTURY
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              Red sandstone, sculpted, carved and incised, well grown age-patina
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              Central India, Madhya Pradesh, 16  – 18  century
              Mahavira sits in Dhyana asana on a simple throne in front of a halo,
              encompassed by a semicircle of sun rays, which themselves are
              surrounded by a foliate lotus band. Jina’s hands show the gesture of
              Dhyana mudra.
              Mahavira was the twenty-fourth Tirthankara (ford-maker) of
              Jainism which was revived and re-established by him. After getting
              enlightened, Mahavira synthesized and revived the philosophies and
              promulgations of the ancient rama ic traditions laid down by the
              first Jain tirthankara Rishabhdeva. In the Jain tradition, it is believed
              that Mahavira was born in the early part of the 6th century BC
              into a royal family in what is now Bihar, India. At the age of thirty,
              abandoning all worldly possessions, he left his home in pursuit of
              spiritual awakening and became an ascetic.

              The wheel-shaped halo references his teachings which form the basis
              of the Jain philosophy: Ahimsa (non-violence), aparigraha (non-
              attachment), asteya (no theft), brahmacharya (chastisty), and satya
              (truthfulness). Behind his steadfast gaze, the nimbus holds several
              open lotus flowers, a symbol interchangeable with that of the sun,
              whose rays metaphorically radiate from his head.
              Mahavira is usually depicted in a sitting or standing meditative
              posture with the symbol of a lion beneath him. Such a lion may
              have once been a separate component of an ensemble of which
              the present statue was the centerpiece. The earliest iconography
              for Mahavira is from archaeological sites in the north Indian city of
              Mathura. These are variously dated from the 1st century BC to the
              2nd century AD. The day Mahavira was born is celebrated as Mahavir
              Janma-kalyanak (popularly known as Mahavir Jayanti), and the day
              of his liberation is celebrated by Jains as Diwali. In 1973, which was
              the 2,500th anniversary of the Nirvana (or Moksha) of Mahavira,
              monks of the various sects of Jainism assembled to resolve their
              differences and arrive at some commons points of agreement about
              the history and philosophy of Jainism.

              Shape: Sculpture on a stele
              Weight: 295 kilograms
              Dimensions: Height 95 cm, width 64 cm, depth 41 cm
              Condition: Excellent condition with losses, cracks and abrasions as
              well visible on the images in the catalogue and online
              Provenance: German private collection

              Literature comparison: For a related image of Mahavira, see Granoff,
              Victorious Ones: Jain Images of Perfection, New York, 2009, pp.
              166-7, no. S04.

              Auction result comparison: INDIAN, HIMALAYAN & SOUTHEAST
                              th
              ASIAN ART. Bonham’s, 14  March 2016, NEW YORK, lot 74. (for a
              related Mahavira sandstone stele, dated to the 10  century)
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              EstimateġEUR 6.000,-
              Starting price EUR 3.000,-


















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