Page 63 - Fine Chinese, Japanese and Buddhist Art September 28, 2018 Galerie Zacke
P. 63

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              AN OTTOMAN DRAWING OF A PERI WITH
              SHURALE
              Ink and gold on very thin paper, laid down
              on cardboard, with painted cardboard frame,
              behind glass inside modern frame
              Ottoman Empire, 17  / 18  century or even
                          th
                              th
              earlier

              This masterful Ottoman drawing shows the
              scenery of a Peri in the forest. An Infrit or
              Shurale is pouring liquid from a bottle into
              the bottle of the kneeling Peri. At the top
              another horned forest demon can be seen.
              The actual drawing is framed by a decorative
              border hand painted with flowers.

              The peri represents the ‘idyllic tranquility of
              the enchanted forest’ and can be seen in the
              present example holding a bottle, with wings
              and a leafy hat, comparable to saz leaves.
              Shurale also live in the forest. They have
              horns and a woolly body. Legend says they
              lure victims to a thicket and can tickle them
              to death.

              Shape: Rectangular vertical shape
              Dimensions: 20,5 x 15,5 cm (painting size),
              26 x 19,5 cm (including floral cardboard
              mounting), 28 x 21,5 cm (size of frame)
              Condition: The drawing is in overall good
              condition with some minor creases and
              rubbings
              Provenance: German Private Collection

              Literature comparison: A number of
              Ottoman drawings of peris exist as part
              of albums, including one in the Topkapi
              Saray Museum, two pages of which are
              published in ibid, pp.102-103, nos.48a & b.
              The present finely-executed example shares
              characteristics with both these drawings,
              in the treatment of both the face and hat
              of the former, and the wings and loose
              ribbons of the latter (attributed to the artist
              Velican). Other examples can be found in
              the Museé Jaquemart-André, Paris and the
              Freer Gallery of Art, Washington DC (see
              Petsopoulos1982, pp.196-7, nos.189-190),
              whilst a seated peri was in the collection
              of Edwin Binney III (published in E. Binney
 50           III, Turkish Treasures from the Collection of
 AN INDIAN PICHVAI PAINTING WITH WORSHIP OF   Shape: Rectangular vertical shape    Edwin Binney III, Portland, 1979, pp.76-77,
 SHRINATHJI, 1900s    Dimensions: 154 x 119 cm   no.47).
 Body color on cloth    Condition: The painting is in overall good condition with
 Nathdwara, Rajasthan, around 1900     some stains and abrasions. One tear has been closed off at   Auction result comparison: Sotheby’s, AN
    the backside      EYE FOR OPULENCE- ART OF THE OTTOMAN
 The painting depicts the worship of Shrinathji. At the top   Provenance: German Private Collection   EMPIRE, 24 APRIL 2012, London, lot 263 (for
                                        th
 the temple can be seen and at the lower end is a lotus   an Ottoman Peri drawing, dated to the 16
 pond. Villagers and many manifestations of the royal couple   EstimateġEUR 400,-  century)
 embody the center part. The margins show a pretty painted   Starting price EUR 200,-
 floral border.  EstimateġEUR 1.000,-
              Starting price EUR 500,-
 A Pichvai is an Indian temple hanging consisting of cotton
 cloth painted with scenes from the life of the Hindu deity
 Lord Krishna and used as a backdrop for his idol, also used
 decoratively in homes.







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