Page 40 - Sotheby's Chinese Paintings Auction New York September 11, 2018
P. 40

513

                  Dong Qi 1772-1844

                  LANDSCAPE AFTER VARIOUS OLD MASTERS

                  ink and color on paper, album of eight leaves
                  (1) signed Shinong, with two seals, dong qi, le xian
                  (2) signed Xiao luofu ke Qi, with one seal, xiao luo fu ke
                  (3) signed Shinong, inscribed “imitating the method of Li
                  Zhulan (Li Rihua, 1565-1635)”, with two seals, qi, shi nong
                  (4) signed Shinong Qi, inscribed “after Ke Danqiu (Ke Jiusi,
                  1290-1343)”, with three seals, dong qi, xiao luo fu ke, le xian
                  (5) signed Lexian Qi, inscribed “imitating Dachi daoren
                  (Huang Gongwang, 1269-1354)”, with three seals, qi yin, le
                  xian, xiao luo fu ke
                  (6) signed Lexian Qi, inscribed “imitating the method of
                  Wen Daizhao (Wen Zhengming, 1470-1559)”, with two
                  seals, dong qi, shi nong
                  (7) signed Lexian Qi, inscribed “imitating Xie Chuxian
                  (1488-?)”, with two seals, qi yin, le xian
                  (8) signed Dong Qi, dated wuyin, summer solstice (June
                  22, 1818), with two seals, qi, le xian han mo
                  Titleslip by Tang Hong, signed Tang Hong, dated xinchou
                  (1961), spring, with two seals, fei hong, tang hong zhi yin
                  Inscription on title page by Tang Hong, signed Hongweng,
                  dated renshen (1992), the twelfth lunar month, with Þ ve
                  seals, chun zhi ri ke, tai ping shan zhong ke, chun zhi chang
                  shou, tang hong zhen cang, tang hong
                  With four seals of Tang Hung, wu chen (2), tang hong (5),
                  fei hong (2), chun zhi chang shou
                  each 23.5 by 33.0 cm. 9¼ by 13 in. (8)
                  Tang Hung inscription:
                  Dong Qi (1772–1844), whose courtesy name was Lexian
                  and whose sobriquets were Shinong and Xiaoluofuke, had
                  the studio name Fangsunge. Originally from Xiushui, he
                  was a well-known literatus of the Qianlong (1735–1796)
                  and Jiaqing (1796–1820) eras. This album is among his
                  Þ nest works. It was completed in the summer of 1818,
                  over 170 years ago. His precise brushwork, understated
                  but elegant application of color, clear and outstanding
                  compositions, and natural perspectives make this work a
                  masterpiece.
                                                           Titleslip and title page by Tang Hung
                  $ 8,000-12,000
                                                           ਽剨䵹ㅪࣷ䵹᝶䴮
                  ׬㙘 ٟܞ೶ඣ

                  ℟೤⊍Ч ϖῘ⤳
                  炷ᶨ炸ಛᗆj䞛彚ˤඕΙj吋ġ㢐ˣ㦪攺                       ࡥᒿᕚᖦj吋㢐Ⱉ㯜Ⅎˤ彃ᶹ炷1961炸㗍㚰炻㕤楁㰇
                  炷Ḵ炸ಛᗆj⮷伭㴖⭊㢐ˤඕΙj⮷伭㴖⭊                      ᶱⶅ➪炻Ⓒ泣会ˤඕΙj梃泣ˣⒸ泣ᷳ⌘
                  炷ᶱ炸ಛᗆj㒔㛶䪡⫦㱽炻䞛彚ˤඕΙj㢐ˣ䞛ġ彚
                  炷⚃炸ಛᗆj㧭㞗ᷡ恙炻䞛彚㢐ˤඕΙj吋ġ㢐ˣ⮷伭                 ࡥᒿᕚౙࠫj吋㢐炻⫿㦪攺炻嘇䞛彛ˣ⮷伭㴖⭊炻滳
                  㴖⭊ˣ㦪攺                                    ⎵剛周敋炻䥨㯜Ṣ炻▱Ḧ攻⎵⢓ˤ㬌Ⅎ䁢℞䱦⽫ᷳ
                  炷Ḽ炸ಛᗆj㒔⣏䘉忻Ṣ炻㦪攺㢐ˤඕΙj㢐⌘ˣ㦪                  ἄ炻⮓ㆸ㕤ㆲ⭭⢷㚰炻ᷫ▱ㄞ⺧ᶱ⸜炻⌛大㙮ᶨ
                  攺ˣ⮷伭㴖⭊                                   ℓᶨℓ⸜炻嶅Ṳ⶚㗗䘦ᶫ⋩检⸜⇵䞋ˤ奨℞䫮㱽♜
                  炷ℕ炸ಛᗆjΉ㔯⼭姼㱽炻㦪攺㢐ˤඕΙj吋ġ㢐ˣ                  嫡炻姕刚㶉晭炻㥳⚾㶭晳炻⥁嵋⣑ㆸ炻冒㗗忠⑩ˤ
                  䞛ġ彚                                      ⢔䓛炷1992炸㬚㙖㕤楁㰇炻泣佩嬀ˤඕΙj㶛ᷳ⚾
                  炷ᶫ炸ಛᗆjầ嫅㦿ẁ炻㦪攺㢐ˤඕΙj㢐⌘ˣ㦪改                  婚ˣ⣒⸛Ⱉᷕ⭊ˣ㶛ᷳ攟⢥ˣⒸ泣䍵啷ˣⒸ泣
                  炷ℓ炸ಛᗆjㆲ⭭炷1818炸攟军炻⮓㕤剛周敋炻吋
                  㢐ˤඕΙj㢐ˣ㦪攺侘⡐                              ࡥᒿᛠᔛΙj䃉⠝炷Ḵ憸炸ˣⒸ泣炷Ḽ憸炸ˣ梃泣
                                                           炷Ḵ憸炸ˣ㶛ᷳ攟⢥


                                                       40    SOTHEBY’S
   35   36   37   38   39   40   41   42   43   44   45