Page 135 - Japanese Art Nov 9 2017 London

230 For a footed bowl and cover painted with a very similar motif, see
A KAKIEMON BOWL AND EN-SUITE COVER Asahi Shinbunsha, Kakiemon no Sekai: Genryukara gendai made:
Edo period (1615-1868), circa 1680 Jusandai tsuito juyondai shumei kinen (The World of Kakiemon
Painted on the domed cover with sections of a folding screen among from Its Origins to the Present: Commemorating the Succession
sprays of peonies, chrysanthemums and an exotic bird in iron red, from the Thirteenth to the Fourteenth Generation), Fukuoka, 1983,
blue, green and yellow overglaze enamels, the sides similarly painted no.69; Hayashiya Seizo (ed.), Nihon no Toji, vol.9, Kakiemon, Tokyo,
with a continuous design of a four-panel folding screen among peonies Chuokoronsha, 1974 (repr. 1975), no.96; Kakiemon-style Ceramic
and chrysanthemums. 16.2cm x 22cm (6 3/8in x 8 5/8in). (2). Art Research Center, Kakiemon yoshiki jikisakuhin kirokushu: Kokunai
shozo sakuhin, (Records of Kakiemon-style Ceramics: Collection
£10,000 - 15,000 in Japan), vol.1, Fukuoka, Kyushu Sangyo University, 2009, no.12;
JPY1,500,000 - 2,200,000 Kyushu Ceramic Museum, Kakiemon: Sono yoshiki no zenyo: Heisei
US$13,000 - 20,000 juichinen tokubetsu kikakuten (Kakiemon: The Whole Aspect of the
Kakiemon Style: Special Exhibition 1999), Saga, 1999, no.45; compare
Provenance another bowl with a plain and unadorned finial in Nishida Hiroko
Soame Jenyns collection. and Ohashi Koji (eds.), Kakiemon ten: Yoroppa ni kaikashita iro-e jiki
(Kakiemon Exhibition: Polychrome Overglaze Enamel Decorated Ware
That Flourished in Europe), Fukuoka, Asahi Shinbunsha, 1993, no.56.

For details of the charges payable in addition to the final Hammer Price of each Lot FINE JAPANESE ART | 133
please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue.