Page 16 - Chiense Silver and Gold, 2012, J.J. Lally, New York
P. 16

1.  A Silver ‘W inged S tallion’ Harness Ornament
                 Xianbei type, circa 1st century B.C. – A.D. 1st century

                 of elongated pear shape, decorated in repoussé with a highly stylized figure of a flying horse with
                 long neck and pointed wings rising from its shoulders, the head with flat cheeks and open mouth,
                 the slender legs ending in sharp hooves gathered under the body as if running at a gallop, enclosed
                 within an irregular border of waves and peaks arising from the edge, the downturned narrow sides
                 with small holes punched through to allow for attachment to the leather harness.

                 Length 4 ⁄16 inches (12.6 cm)
                         15
                 A matching silver plaque with ‘flying horse’ motif in relief, from the collection of E. V. Thaw, was exhibited at the Metropolitan
                 Museum of Art and illustrated by Bunker, Watt and Sun in the catalogue entitled Nomadic Art of the Eastern Eurasian Steppes,
                 New York, 2002, p. 55, no. 22, where the author states that the flying horse, a prominent animal figure in Xianbei mythology,
                 was believed to have guided an early Xianbei leader and his people on their migration to the south. The same silver plaque
                 is illustrated again in the catalogue of the special exhibition shown at the Nara National Museum, Pegasus and the Heavenly
                 Horses: Thundering Hoofs on the Silk Road, Nara, 2008, p. 86, no. 85, with description on p. 247.
                 A very similar silver ‘flying horse’ plaque of this same type, in the Uldry Collection, was exhibited at the Rietberg Museum, Zurich
                 in 1994 and illustrated in the catalogue Chinesisches Gold und Silber: die Sammlung Pierre Uldry, Zurich, 1994, p. 127, fig. 97.
                 Compare the gilt bronze plaques with ‘flying horse’ motif in relief, excavated in 1959 from an Eastern Han Xianbei site in
                 Hulunbeierming, Inner Mongolia and illustrated in Zhongguo Meishu Quanji: diaosu bian (Compendium of Chinese Art: Sculp-
                 tures), Vol. 2, Qin and Han Dynasties, Beijing, 1985, p. 141, no. 140, where they are described on p. 52 as indigenous works of
                 art by the Xianbei. Compare also the gilt bronze plaques of similar form but decorated with a single-horned mountain goat
                 in relief, excavated from a tomb in Xilin county, Guangxi province, illustrated in Wenwu, 1978, No. 9, p. 45, fig. 3.
                 鮮卑 飛馬紋銀馬飾 長 12.6 厘米
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