Page 10 - Yuan_Dynasty_Ceramics
P. 10

Chapter 07 (pp. 330-385)_Layout 1  7/7/10  5:42 PM  Page 339







                 period,  which  ended  in  1126,  and  continued  into  the
                 Ming dynasty, when the renowned numbered-flower ves-
                                                 31
                 sels are thought to have been made. The numbered Jun
                 wares are believed to have been produced at a single kiln
                 site near the Juntai Terrace, inside the north gate of the
                 administrative  seat  of  what  was  formerly  known  as
                 Yuzhou  prefecture,  Henan  province.  But  although  un-
                 numbered Jun works have been found in many tombs
                 and among several caches of buried treasure, including
                 datable finds from the Jin (1115–1234) and Yuan dynas-
                 ties, none of the numbered Jun wares have been found in
                 any  datable  context. 32  The  mystery  surrounding  when
                 these numbered Jun wares were made has aroused con-
                 siderable discussion among scholars. There is no men-
                 tion  of  Jun  ware  in  Cao  Zhao’s  Essential  Criteria  of
                 Antiquities published in 1388, noted earlier, which makes
                 mention of all of the popular and famous wares of the
                                                                      7.10. Jun ware ruyi lappet-shaped pillow with azure glaze and
                 Song and Yuan periods. And although a numbered Jun
                                                                      purple splashes, Yuan dynasty, thirteenth century, 13.4 cm tall,
                 ware is represented in a 1437 painting, the earliest men-
                                                                      30.8 cm maximum face length, 19.7 cm maximum face width, 19
                 tion of Jun ware in a Chinese text appears to occur in a  cm maximum base width. National Palace Museum, Taipei.
                 book published in 1504. 33
                    Excavations  at  the  Juntai  kiln  site  in  1974  yielded  a
                 mold for a “Xuanhe” (1119–1125) coin and vessel bear-
                 ing an inscribed Fenghua mark, which at the time was
                 considered  a  reference  to  the  Fenghua  Pavilion  within
                 the  Northern  Song  Palace  at  Kaifeng.  Further  study,
                 however, indicated that the mold was actually for making
                 counterfeit coins and was made sometime after the Yuan
                 dynasty. The Fenghua-marked vessel is related to wares
                 now considered to be Qing dynasty imperial reproduc-
                 tions and actually refers to the name of a palace hall asso-
                 ciated  with  the  reign  of  the  Southern  Song  emperor
                 Gaozong (r. 1127–1162). 34
                    A milestone in Jun ware studies began with further ex-
                 cavations  at  the  Juntai  kiln  site  in  2004.  At  that  time,
                 some numbered Jun wares were found in a pit along with
                 turquoise-glazed wares and stem cups, both characteris-
                 tic of Yuan dynasty wares; consequently, a Yuan date for
                 numbered wares began to be considered by some who
                 had previously given them a Song or Jin date. Thermo-
                                                          35
                 luminescence  tests  as  well  as  archaeological  evidence,
                 however, point to a late Yuan to early Ming date for num-
                 bered Jun wares. 36                                  7.11. Jun ware tripod incense burner or censer with milky or sky
                    Many  unnumbered  Jin  and  Yuan  dynasty  Jun  wares  blue glaze and inscribed date equivalent to 1309 (a Jiyou year
                                                                      cyclical date), 42.7 cm tall. Excavated in 1970 at Baitai village,
                 can be distinguished from Song wares by their shapes.
                                                                      near Huhehaote, Inner Mongolia. Inner Mongolia Autonomous
                 The pillow in the form of a ruyi lappet is considered a fine  Region Museum.
                 thirteenth-century  Jin  or  early  Yuan  example,  since  its
                 outlines are simpler and more distinct than Song dynasty
                 examples. And the incense burner recovered in Baitai vil-
                 lage, Inner Mongolia, also has a Yuan form. Its molded

                                                                                                        Yuan Dynasty Ceramics  339
   5   6   7   8   9   10   11   12   13   14   15