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Chapter 07 (pp. 330-385)_Layout 1  7/7/10  5:42 PM  Page 351





































                 7.28a and b. Jizhou ware measuring jar with iron brown underglaze basket-weave and chrysanthemum motifs, Yuan dynasty, late
                 thirteenth to early fourteenth century, 7.6 cm tall, 9.5 cm diameter. Made at the Jizhou kilns near Ji’an, Jiangxi province. Detroit
                 Institute of Arts.








                    Yuan painted Jizhou wares are as well crafted and cre-  Yuan potters. One often-published meiping with a brown-
                 atively rendered as those of the Song period, making it  ish black glaze is a gorgeous example. Overpainted with
                 difficult to differentiate among painted Jizhou wares of  blonde slip in a pattern simulating the ruyi lappet pattern
                 the Song and Yuan eras. Archaeologists sometimes look  often also seen carved into Yuan black lacquer, the mei -
                 to the shape of the wares to make the distinction: meas-  ping was  excavated  at  the  Jizhou  kiln  site—and  repre-
                 uring jars, jars with lotus-leaf-shaped lids and high-footed  sents  just  one  of  many  motifs  seen  also  in  wares
                 pear-shaped vessels with fish handles became common  decorated with underglaze blue. 85
                 only in the Yuan dynasty, so these works are often now
                 identified  as  Yuan  pieces  rather  than  as  from  the  late
                               82
                 Southern  Song. Examples  from  the  Jizhou  and  other  Major Discoveries of Yuan Ceramics
                 Yuan southern kilns include a number of measuring jars
                 from the Qili kiln at Ganzhou in Jiangxi province, includ-  Critical information about Yuan ceramics comes not only
                 ing some discovered in the Sinan shipwreck (Fig. 7.27). 83  from Yuan tombs of wealthy common people, such as
                 Another fine Jizhou measuring jar features finely painted  the 1338 tomb of Madame Ling and others dateable to
                 chrysanthemums  on  its  base  reminiscent  of  those  on  1291, 1293, and 1315 (where more typical qingbai funerary
                 Jingdezhen painted wares (Figs. 7.28a and b). Also worth  urns were recovered), but also at other sites such as an
                 noting is a well-known Jizhou ware vase with fish-shaped  excavation  at  Jingdezhen,  an  early  thirteenth-century
                 handles in the British Museum. 84                    shipwreck, and caches of treasures buried during upris-
                    Other distinctive features of some Yuan Jizhou wares  ings, which were common at the end of the Yuan dy-
                                                                           86
                 are the use of reserve biscuit decoration or of light slip  nasty. This section provides details and analysis of some
                 splashed, dabbed, or painted over a dark iron glaze. A  of these significant archaeological discoveries.
                 Jizhou bottle partially covered with iron glaze with re-
                                                                        Doufulong at the Zhushan Kiln Site
                 serve biscuit and painted decoration is very striking; it re-
                 minds one of a similar technique masterfully used by the  Excavations at the rear of the Zhushan (Pearl Hill) kiln
                 Longquan potters during the Yuan dynasty (Fig. 7.29; see  site, in a place known as Doufulong in Jingdezhen, are
                 also  Fig.  7.6).  This  technique  seems  to  have  been  in-  critical to understanding other finds within China, since
                 vented during the Song, but to have been perfected by  the earliest known imperial blue and white porcelain, a jar

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