Page 8 - Christie's, Tang Collection of Important Chinese Ming Furniture May 31 to June 1, 2023 Hong Kong
P. 8

The Cissy and Robert Tang
          Collection of Chinese Classical Furniture













          Prior to becoming a judge in 2004 and retiring from the Hong   The elegant bookcases in the collection, lot 2708, have
          Kong Court of Final Appeal in 2018, Justice Robert Tang was   been widely admired and included in many exhibitions and
          a barrister and then Queen’s Counsel in the 1980s and 1990s.   publications. The first bookcase was purchased directly from
          During those years, he regularly took breaks from his heavy   Cola Ma. Later, Justice Tang had the opportunity, through his
          workload in order to visit antique shops near his chambers in   dealer Jim Lally, to purchase the other when it was offered as
          Central, Hong Kong. He recalls that this was a daily activity,   part of the Dr. SY Yip auction (which he had acquired from
          and he often stopped to see the same dealer more than once   Grace Wu) at Christie’s in 2002. As a reunited pair, these
          a day, so quick was the turnover of items for sale during this   bookcases are extremely rare.
          period.
                                                              From amongst all his pieces of furniture, Justice Tang has
          Robert Tang collected in several fields that were of particular   selected his half-moon table as his favourite piece, lot 2709.
          interest to him. He selected works based on his intellectual   The rare form with a semi-circular top and pure fluid lines is
          curiosity, rather than having a view to investment or resale.   decorated only on the dragon-shaped spandrels that support the
          During those two decades, he formed collections of Chinese   cabriole legs. This table used to grace the entrance hall of his
          archaic jades, early bronzes, Song ceramics, Buddhist sculpture,   home.
          modern paintings and classical furniture. He acquired his
          furniture to live with on a daily basis. Justice Tang explains:   A longtime member of the Min Chiu society, and its Chairman
          ‘As a collector, I have purchased pieces I found attractive,   from 2007-2009, as well as a member of the Hong Kong
          that appealed to me’ ... ‘I made decisions quickly, almost   Palace Museum board, Justice Tang, along with his wife Cissy,
          immediately, because, if I waited, there was a strong possibility   has been in a position to discuss aspects of his collecting with
          the piece would no longer be available the following day’. He   likeminded collectors and international academics – often
          notes: ‘I did not have a formal collecting philosophy. I bought   making lifelong friendships.
          what I could afford, every piece of furniture had to fit into
          my home, or office, and had to have a function.’ He further   As their children have now grown and live abroad, Robert and
          explains: ‘… and when my home was full, in the early 2000s,   Cissy Tang are planning to downsize, and to divide their time
          I stopped’. The furniture was acquired from trusted dealers   between their home in Hong Kong and overseas travels. They
          and friends such as Robert Ellsworth, Cola Ma and Ho Chung   offer this collection for sale in the hope that the pieces will
          at a time when there was a steady flow of huanghuali furniture   enter new homes, and help build new memories for others.
          from China. There were several pieces he especially admired in   Justice Tang explains: ‘I have never grown tired of the pieces in
          Ellsworth’s Hong Kong flat at the New World Apartments, and   my collection; each time I look at an object, I see what initially
          while they were not available to purchase at the time, Ellsworth   attracted me to it. However, the time has now come to pass on
          later made good his promise to sell those pieces to Justice Tang   some of these pieces to the next generation of collectors.’
          when the former left Hong Kong 20 years later.

          The pair of intricately carved huanghuali chairs, one with a qilin
          carved to the backrest, the other with two mythical beasts, lot
          2705, were purchased from Ellsworth who initially included
          them in the exhibition Circa 1492: Art in the Age of Exploration
          in 1991 in the National Gallery of Art, at which time they
          were dated to the middle-Ming dynasty. Later scholarship
          redated these chairs to 17th century. Interestingly, a further
          pair of chairs from this series, each with a different animal
          carved in openwork to the backrest, are now in a private Asian
          collection. They were once in the collection of Gangolf Geis,
          and were sold at Christie’s in New York in 2003. To illustrate
          the fact that these chairs, and, indeed, all the furniture in the
          Tang collection, were used by the entire family, Judge Tang
          recounts how shocked curators from an American Museum
          were when they visited his home and saw that he had mounted
          a basketball hoop on the crest rail of one of the pair of chairs
          for his young son.

             A CONNOISSEUR’S STUDIO
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