Page 172 - 2019 September 11th Christie's New York Chiense Art Himalayan bronzes and art
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396
                                                                         A PORTRAIT OF MAHARAJA MADHO SINGH
                                                                         OF JAIPUR
                                                                         NORTHWEST INDIA, RAJASTHAN, JAIPUR,
                                                                         ATTRIBUTED TO SAHIB RAM, CIRCA 1780
                                                                         Image 8 x 6 in. (20.2 x 15.2 cm.)
                                                                         folio 8√ x 6√ in. (22.4 x 17.5 cm.)

                                                                         $7,000-9,000

                                                                         PROVENANCE
                                                                         Private collection, New York, 1980, by repute.
                                                                         Sotheby’s New York, 16 March 2016, lot 870.

                                                                         Maharaja  Madho  Singh  (r.1750-1768)  of  Jaipur  depicted
                                                                         seated in profle, holding a mala  (rosary)  of  white  pearls
                                                                         and emeralds in his right hand and a small mauve-colored
                                                                         blossom in the other.

                                                                         He wears multiple strands of pearls and emeralds over his
                                                                         mauve and gold jama with matching jeweled pagri (turban)
                                                                         bearing an elaborate aigrette ornament.   He is shown half
                                                                         length against a dark green background—his arm fexed over
                                                                         a window frame.
                                                                         The  maharaja’s  distinctive  face  with  upturned  curling
                                                                         mustache,  stippled  ax-shaped  sideburns  and  under-chin
                                                                         shading is immediately recognizable.  Idiosyncratic elements
                                                                         like the abstracted nub in the inside of the eye (tinged with
                                                                         red) and the curves and folds of the ear and nose all appear
                                                                         to be consistent with known works by the artist Sahib Ram
                                                                         (see M.E. Aitken, “Sahib Ram,” in M.C. Beach, E. Fischer,
                                                                         B. N. Goswamy, “Masters of Indian Painting 1650-1900”,
                                                                         Artibus Asiae, Sup 48 I/II, 2011, pp. 623-640).
                                                                         Little is known biographically about Sahib Ram, the principle
                                                                         artist associated with the royal suratkhana (workshop) active
                                                                         during the reigns of Maharaja Madho Singh I and his son
          395
                                                                         Maharaja Sawai Pratap Singh (r. 1778-1803).  He was likely
                                                                         the atelier master and held in high esteem by his patrons
                                                                         as evidenced by the ffty bighas awarded to him in 1789—
          THE PROPERTY OF A PRIVATE WEST COAST COLLECTOR
                                                                         and  his  numerous  servants  and  assistants.  Sahib  Ram’s
          395
                                                                         workshop appears to have been quite active producing
          A PORTRAIT OF JALAM SINGH RIDING A PIEBALD STALLION            numerous extant portraits and drawings—likely employing a
          NORTHWEST INDIA, RAJASTHAN, JODHPUR, 1780-1790                 sizable number of artist colleagues and subordinates.
          Image 11√ x 9¿ in. (30.2 x 23.2 cm.)
          folio 13 x 10Ω in. (33.0 x 26.7 cm.)
          $2,000-3,000


          PROVENANCE
          Purchased from Maggs London, 1985, by repute.









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