Page 101 - Bonhams Asian Art London November 5, 2020
P. 101

Much praised for their compact proportions, meiguiyi chairs are   Meiguiyi armchairs also served as informal seats for women: this is
           characterised by their top rail and arms curving smoothly into the   visible on a woodblock print illustration to ‘Phoenix Seeks a Mate’
           posts, imitating the flexibility of bamboo by means of complex mortise-  Huang Qiu Feng, a drama dating to the Qing dynasty, which depicts
           and-tenon joints. Moreover, the chairs are lightened by the use of   three court ladies seated on low-back armchairs.
           the humpback stretchers with pillar-shaped struts above the seat
           frame. This design is thought to have been inspired by a low-back   Smaller and less formal than the ‘yoke-back’ or ‘horseshoe-back’
           armchair manufactured during the Song dynasty, an example of which  armchair, low-back armchairs were often more ornately decorated,
           is depicted in a twelfth century painting by Ma Gongxian (act.1131-  displaying decorative frames and stretchers on the back panels, such
           1162). Here Li Ao (d.ca. 844), a Confucian scholar, is seeking   as the present examples. The back frame of the present examples
           instruction from Yaoshan Weiyan (751-834), a Chan master, who is   features an elaborate silhouette embellished with delicate designs of
           seated on a low bamboo chair which resembles the construction of a   angular spirals and perky chi dragons enclosing the yin/yang symbol,
           meiguiyi, with the addition of a back rest.       while the arch-shaped frame of the base displays a curling tendril motif
                                                             on the seat apron.
           Low-back armchairs were also frequently depicted in paintings and
           prints dating to the Ming and Qing dynasties. A ‘Literary Gathering in   For a detailed discussion of low-back armchairs meiguiyi and their
           the Apricot Garden’, painted by the court artist Xie Huan (act.1426-  Song dynasty origin, see S.Handler, ‘Rose, Bamboo and the Low-Back
           1452), features ‘The Three Yangs’ scholars of the Hanlin Academy   Armchair’, in Chinese Furniture: Selected Articles from Orientations,
           besides bamboo and hardwood low-back armchairs.    1984-1999, Hong Kong, 1999, pp.250-256. See also Wang Shixiang,
                                                             ‘Development of Furniture Design and Construction from the Song to
                                                             the Ming’, ibid., p.44.

                                                             A related pair of huanghuali low-back chairs, early 18th century, was
                                                             sold at Sotheby’s New York, 16 September 2009, lot 9.
   96   97   98   99   100   101   102   103   104   105   106