Page 120 - Bonhams Asian Art London November 5, 2020
P. 120

The Chuxiugong, Forbidden City; image courtesy of the   Bonhams Hong Kong, 29 May 2018, lot 32
           Palace Museum, Beijing











           Prince Livio Borghese was an Italian diplomat from the end of the 19th   Openwork display cabinets, known as duobaoge or ‘curio cabinet
           century until his death in 1939, serving in China, the Ottoman Empire   of many treasures’, developed and reached the height of popularity
           and other European countries. It is likely that the present lot was   during the 18th century gracing the Imperial halls. The carefully
           acquired during his service in China. His elder brother Prince Scipione   designed asymmetrical and irregular compartments are characteristic
           Borghese (1871-1927), 10th Prince of Sulmona, was famous for   of the duobaoge developed in the early Qing period. Such cabinets
           winning the ‘Peking to Paris’ car race in 1907.   would have been used to display precious objects including ceramics,
                                                             jade carvings, cloisonné enamel and archaic and later bronzes.
           The present pair of cabinets belongs to an exclusive group of lacquer
           furniture manufactured for Imperial consumption, decorated in the   A related double-pair of mother-of-pearl-inlaid red and green lacquer
           virtuoso technique of mother-of-pearl inlay, with the incorporation of   cabinets, mid Qing dynasty, from the Qing Court Collection, is in the
           gold and silver foil.                             Chuxiugong ‘Hall of Gathered Elegance’ in the Forbidden City. Each
                                                             cabinet is placed side by side with another to make a pair, and each
           While the use of the mother-of-pearl inlay on lacquer, employed   pair is placed in a different part of the Imperial hall. The present lot of
           throughout the Ming dynasty, became very popular during the Kangxi   one such pair of cabinets would almost certainly have formed part
           period, the gilt decoration on lacquer became more prevalent from   of the same suite of display cabinets; see Classics of the Forbidden
           the Yongzheng period. The spectacular visual effect, resulting from   City: Inlaid Furniture, Beijing, 2013, pl.24 (showing one such pair of
           the combination of the brilliant gilding and the endless shades of pink,   cabinets); and Ming Qing Gongting Jia Zhu Da Guan, vol.II, Beijing,
           purple and green iridescences, reveals the exceptional dexterity of the   2006, pp.696-697, pls.798-1 and 798-4 (showing the double pairs of
           imperial craftsmen. Compare the scrolling floral borders, executed in   cabinets in the Chuxiugong).
           gilding and mother-of-pearl inlays, decorating an imperial black-lacquer
           throne and matching screen, both dated to the third quarter of the   Compare to a related pair of Imperial mother-of-pearl-inlaid red and
           17th century, from the Museum of Asian Art, Berlin, illustrated in Im   gilt-green lacquer cabinets, Mid Qing dynasty, which was sold at
           Zeichen Des Drachen, Stuttgart, 2007, pp.202-204.   Bonhams Hong Kong, 29 May 2018, lot 32.








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