Page 14 - Bonhams Asian Art London November 5, 2020
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           A RARE ARCHAIC BRONZE RITUAL FOOD VESSEL, GUI
           Early Western Zhou Dynasty, 11th-10th century BC
           The compressed globular body cast in high relief on each side with a
           pair of taotie masks with C-shaped horns and large boss eyes, divided
           by two mythical beast-headed loop handles set at the bottom with
           a tab, all supported on a high spreading foot cast in high relief with
           a band of eight dragons, the patina of gun-metal grey tone with light
           patches of malachite encrustation.
           29.2cm (11 1/2in) wide.

           £80,000 - 120,000
           CNY700,000 - 1,100,000

           西周早期,公元前11至10世紀 青銅獸耳饕餮紋簋

           Provenance: Mr. Rafi Y. Mottahedeh, New York
           Sotheby’s New York, 4 November 1978, lot 308
           Mr. and Mrs. Earl Morse, New York
           Richard J. and Jean D. Salisbury
           J.J. Lally & Co., New York
           An American private collection
           Sotheby’s New York, 17 March 2015, lot 154
           A distinguished London private collection

           Exhibited and Published: The Metropolitan Museum of Art,
           New York, 1982, Spirit and Ritual: The Morse Collection of Ancient
           Chinese Art, no.14.
           J.J. Lally & Co., New York, June 1 to 25, 1994, Archaic Chinese
           Bronzes, Jades and Works of Art, no.53.

           來源:美國紐約Rafi Y. Mottahedeh舊藏
           紐約蘇富比,1978年11月4日,拍品編號308
           美國紐約Earl Morse伉儷舊藏
           Richard J.與Jean D. Salisbury舊藏
           美國紐約古董商J.J. Lally & Co.
           美國私人收藏
           紐約蘇富比,2015年3月17日,拍品編號154
           倫敦顯貴私人收藏

           展覽著錄:大都會藝術博物館,「Spirit and Ritual: The Morse
           Collection of Ancient Chinese Art」,美國紐約,1982年,編號14
           J.J. Lally & Co.,「Archaic Chinese Bronzes, Jades and Works of
           Art」,美國紐約,1994年6月1日至25日,編號53

           The rendering of the masks that dominate the body of this vessel are
           characteristic of the early Western Zhou period. Large-scale animal
           masks appear on some of the most famous vessels of the period,
           such as the Li gui; see W.Fong, The Great Bronze Age of China, New
           York, 1980, no.41. The style established by such important works as
           the Li gui probably enhanced the popularity of this motif at the time.

           Two related gui vessels from the reign of the third Zhou King, Kang
           Wang (1020-996 BC or 1005-978 BC) make it likely that the present
           lot was also produced during the same reign. See Bronzes of the
           Shang and Chou Unearthed in Shensi, Beijing, 1979, no.152.











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