Page 35 - 2019 October Two Ming Masterpieces Hong Kong Imperial Art Sotheby's
P. 35

A RARE FLOWERING OF DAY LILIES



                               Regina Krahl










                               The outstanding quality and inventiveness of Jingdezhen’s   leaving the inside blank, some with different designs inside
                               blue-and-white porcelains created in the Yongle (1403-  and outside, and a few, like the present bowl, with matching
                               1424) and Xuande (1426-1435) reigns is – and always was   designs on both sides.
                               – undisputed. The imperial potters of the Chenghua period   The present design is one of the rarest ‘palace bowl’
                               (1465-1487) were faced with a tall order to create porcelains   patterns and one of the most elegant. Only two other
                               that could stand the comparison. That they managed to   ‘palace bowls’ with the same motif appear to exist, both
                               come up with pieces that are today held in perhaps even   today kept and on view in the British Museum, London. On
                               greater esteem is due to their inventing a completely new   these three bowls, the flowers are distinctively rendered,
                               style that followed a different aesthetic and improving the   with two of the four blooms on each side very realistically
                               physical quality of the porcelain even further.
                                                                             depicted with protruding stamens consisting of filaments
                               The porcelain stone and glaze used for Chenghua   topped by pollen-bearing anthers, and the foliage including
                               imperial porcelains are arguably the finest ever achieved   long, curling, blade-like leaves. Related flowers appear
                               at Jingdezhen. The sensual pleasure of the touch of a   also on another ‘palace bowl’ design (see fig. 3), which is
                               Chenghua porcelain vessel is unmatched by porcelains   more common. There, the stamens are not protruding,
                               of any other period. The term ‘palace bowl’ designates   but rendered as white knobs in the centre of the bloom,
                               unquestionably the most distinctive Chenghua blue-and-  the petals have distinctive white ridges down the centre,
                               white porcelains, bowls made for less than a decade around   and the stems are lacking the long, slender leaves. Both
                               the 1480s, obviously imperial and probably used at court for   patterns are very similarly composed, with four blooms
                               food. They are remarkable for their understatement, their   springing from an undulating stem that forms a rounded
                               unsurpassed material quality and workmanship, unrivalled   square or lozenge around a flower-head in the centre and
                               tactility, perfectly attuned proportions, and seemingly   around the foot on the outside.
                               simple yet highly sophisticated designs that are executed   The differences between the two patterns are of course
                               in an irresistibly captivating, sharply focused and yet free   deliberate and probably intended to distinguish different
                               and easy painting manner. They come in a dozen or so   types of flowers. Lilies and day lilies both have very similar
                               different patterns, the majority painted only on the outside,
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