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8278           8279                                                   8280

8278                                                                  8279
FEI DANXU (1801-1850)                                                 ATTRIBUTED TO XIE ZHIGUANG (1899-1976)
Beauty with calligraphy                                               Magu with Crane
Ink and color on paper, framed and glazed, the calligraphy inscribed  Hanging scroll, ink and color on silk, inscribed, dated gengwu qiu
with the date dingwei xia liu yue (1847 summer, sixth month)          ba yue (1930, eighth month) and bearing a signature reading Xie
and signed Fei Danxu with two artist’s seals reading Fei Danxu yin    Tingchuan with two artist’s seals reading Tingchuan zhi yin and Xie
and Zitiao.                                                           and two other seals.
40 1/4 x 13 3/4in (102.3 x 35cm)                                      43 x 15 1/2in (109.2 x 39.4cm)

$4,000 - 6,000                                                        $3,000 - 5,000

費 鏡框 一八四七年作                                                                 之

                                                                      ie Tingchuan (  ) was the birth name of ie Zhiguang ( 之 ),

                                                                      one of the most accomplished commercial painters of Shanghai in the

                                                                      early 20th century. Aside from creating images of beauties, flowers

                                                                      and landscapes for advertisements and the theater, ie also painted

                                                                      in the classical manner. Despite the inscription indicating that the

                                                                      artist copied a painting of Magu by Chen Hongshou (1598-1652), this

                                                                      painting strongly resembles another of the same subject by the late

                                                                      20th century Shanghai school master Ren Yi (1840-1895).

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