Page 161 - Bonhams Chinese and Himalayan Paintings June 2016
P. 161

8292
YANG ZHIGUANG (BORN 1930)
Impression of India, 1987
Hanging scroll, ink and color on paper,
inscribed by the artist with a date of dingmao
deng (winter, 1987), and signed Zhiguang with
one seal of the artist reading Yang Zhiguang.
20 3/4 x 29 3/4in (52.7 x 75.5cm)

$7,000 - 10,000

   之  印度印        一九八七
年作

Provenance
Acquired directly from the artist in Guangzhou

A native of Guangzhou, Yang Zhiguang began        8293
his study of painting with Gao Jianfu and later
went to Beijing to study at the Central Academy
with Xu Beihong and Ye Qianyu, graduating in
1953. As a practitioner of the Socialist Realist
approach to traditional Chinese painting, the
artist infuses anatomical accuracy while still
embracing the aesthetic of brush and ink.
This painting, created in 1987 when the artist
held a teaching position at the Guangzhou
Academy of Fine Arts (Guangzhou Meishu

 ueyuan) reflects an impression of his trip to
India and Nepal two years earlier, in 1985.

8293
SUN YUNSHENG (1918-2000)
Splashed-color Landscape, 1979
Ink and color on gold paper, mounted for
framing, inscribed with a poetic couplet, dated
liushiba nian liu yue (1979, sixth month) and
signed Sun Yunsheng.
23 x 46 1/4in (58.5 x 117.5)

$5,000 - 7,000                                    8294

      彩 鏡 一九七九年作

8294
FONG CHUNG RAY
(FENG ZHONGRUI, B. 1933)
Untitled (Abstraction), 1966
Ink and color on paper, framed and
glazed, at lower left signed Feng Zhongrui,
inscribed and dated bingwu (1966)
with one artist’s seal reading Feng.
21 1/2 x 36 1/2in (54.7 x 92.7cm)

$3,000 - 5,000

      無 鏡框 一九六六年作

Fong Chung Rui was born in Henan province         most recently, he exhibited his paintings at the
into a scholar’s family. Following the end of     Chinese Culture Center in San Francisco in
World War II, Fong moved to Taiwan in 1949,       2014, and at Galerie du Monde in Hong Kong
and in 1958 he established the Four Seas          in May 2015.
Painting Society 四 畫 with three                   The present lot is an example of Fong’s
other artists from the Taiwanese navy. In 1961    works from the mid-1960’s, representing his
Fong was invited by Liu Guosong to join the       mature style after he turned to non-figurative
influential Fifth Moon Group 五 畫                  abstraction in the late 1950’s. In a 2015
and exhibit his paintings. Fong emigrated to      interview of the artist, he credited the direct
California in 1975, where he has continued to     influence of American Abstract Expressionism
be active. In his decades-long career, Fong       on his unique blend of traditional Chinese ink
has held exhibition throughout the world;         painting with abstract expression.

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