Page 57 - Bonhams Chinese and Himalayan Paintings June 2016
P. 57

8093                                                8093
A GROUP OF NINE
YIXING WARE TEAPOTS                                 8094
The first of gnarled cylindrical shape covered                  CHINESE, INDIAN, HIMALAYAN AND SOUTHEAST ASIAN ART AND PAINTINGS | 55
in green enamel and molded pink prunus
blossoms, the impressed seal to the
underside reading Yixing Zisha Minghu; the
second, third and fourth of similar shape and
decoration but covered only in polychrome
enameled highlights to the handles, spouts
and molded decorations to the sides, bearing
maker’s marks to the underside reading Yixing
Zisha Minghu, Zhang Helin zhi, and Yixing
Zisha; the fifth, unglazed, of similar form and
decoration, the underside impressed with an
image of Liu Hai dancing with his cash and
toad; the sixth a small pumpkin adorned in
vines and a stem form lid, no maker’s mark;
the seventh and eighth both of lobed section
adorned in tiny white-slip buds, bearing
makers’ marks reading Pan Youzhuang and
[?] Hexian; the ninth and last of foshou shape
adorned in raised-relief green slip leaves to the
sides, the base unmarked.
8in (20.3) length of last over handle

$1,500 - 2,500

   興 九件

Please note that this lot is being offered
without reserve.
(無底價拍品)

8094
A LARGE POLYCHROME ENAMEL
YIXING BASIN
19th century
The flat well covered in a detailed colorful river
landscape encircled by the concave cavetto
adorned in colorful roundels on a sea-green
mottled ground surrounded by the wide flat
vine-and-lotus rim, the exterior sea-green
sides tapering to the recessed base covered
in deep-blue enamel.
14 3/4in (37.5cm) diameter

$4,000 - 6,000

十九世紀 興彩         紋

For a very similar basin, see the example
offered as lot 560 in Doyle’s sale of Asian Art,
held 19 March 2012.

For a discussion of painted enamel Yixing
wares, see the extensive introduction to the
catalog of Bonhams Hong Kong sale 19621 of
28 November 2011-- ‘Yixing Stoneware from
the Mr. & Mrs. Gerard Hawthorn Collection.’
There, this genre of decoration was attributed
to the late 18th/early 19th centuries.
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