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PROPERTY FROM A PROMINENT PRIVATE                   alternating shaped cartouches enclosing oral       The Complete Collection of Treasures of the
COLLECTION                                          sprays and orets reserved on a diaper ground       Palace Museum. Blue and White Porcelain with
                                                    at the shoulder, the neck painted with a diaper    Underglaze Red (I), Hong Kong, 2000, pl. 183,
A LARGE BLUE AND WHITE                              border                                             and the second in the Idemitsu Museum of Arts,
‘WINDSWEPT’ JAR                                     Height 15⅛ in., 38.3 cm                            Tokyo, illustrated in Gen Min no tōji [Yuan and
MING DYNASTY, MID-15TH                                                                                 Ming ceramics], Idemitsu Art Gallery, Tokyo,
CENTURY                                             PROVENANCE                                         1977, cat. no. 43. Further guan painted with the
                                                                                                       same subject include one sold in our London
sturdily potted, the baluster body rising from      Sotheby’s London, 14th November 2001, lot 99.      rooms, 15th December 1981, lot 185; another sold
a slightly splayed foot to a short tapered neck                                                        at Christie’s New York, 24th March 2004, lot 175,
and rolled rim, skilfully painted in deep tones     The present guan jar belongs to a group of large   and a third sold in our Hong Kong rooms, 8th
of underglaze blue in the ‘windswept’ style with    blue and white jars and meiping decorated in       April 2007, lot 845.
three groupings of gures, one depicting two         the painterly ‘windswept’ style with gures in
scholars playing weiqi, observed by an Immortal,    landscape and garden setting after traditional     $ 40,000-60,000
possibly Dong Wang Gong, bearing a ruyi scepter,    literature and drama. The panoramic landscape
another of Xi Wangmu, the Queen Mother of the       is comparable to landscape paintings of the early  2001 11 14             99
West, wearing long owing robes and holding a        Ming period, and the continuity of the scene is
basket of peaches, anked by female attendants,      achieved by a line of curled clouds in the sky of
and a third of an immortal accompanied by two       the main register of decoration.
attendants, one bearing a wrapped qin, together
with a spotted deer grasping a lingzhi sprig, each  Compare two jars similarly painted with an
scene framed by wispy clouds, all set between a     Immortal observing a game of weiqi, but
band of upright lappets and a broad register of
                                                     anked by the Eight Daoist Immortals, the rst
                                                    in the Palace Museum, Beijing, illustrated in

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