Page 16 - Thornton Collection Chiense Ceramics HK Nov 2017
P. 16

PMS 8321C

    2802                             The finely potted bowl is crisply carved in shallow relief around
                                     the exterior with five bats, wufu, in different attitudes of flight, the
    A CARVED PALE CELADON-           details of their ribbed bodies and extending wings well defined,
    GLAZED ‘BATS’ BOWL               covered overall in a pale bluish-celadon glaze.
                                     5 √ in. (15 cm.) diam.
    YONGZHENG SIX-CHARACTER MARK
    IN UNDERGLAZE BLUE WITHIN A      PROVENANCE
    DOUBLE CIRCLE AND OF THE PERIOD
    (1723-1735)                      Frank Caro, successor to C.T. Loo, New Yrok, 1960s

    清雍正 粉青釉刻五福紋盌 雙圈六字楷書款             EXHIBITED

    HK$600,000-800,000              San Antonio Museum of Art, San Antonio, Texas, 1984-
    US$78,000-100,000                2017

                                     A Yongzheng bowl of this unusual design is in the Victoria and
                                     Albert Museum, illustrated by W. B. Honey, Ceramic Art of China
                                     and Other Countries of the Far East, London, 1945, pl. 118(a); another
                                     bowl is illustrated by R. Krahl, Chinese Ceramics from the Meiyintang
                                     Collection, London, 1994-2010, vol. 2, pp. 202-203, no. 855; a pair
                                     included in the International Exhibition of Chinese Art, 1935-36, Royal
                                     Academy of Arts, London, 1935-1936, is illustrated in the Catalogue,
                                     nos. 2223 and 2225; another single bowl from the Jingguantang
                                     collection, sold at Christie’s Hong Kong, 3 November 1996, lot 568;
                                     and a further bowl sold at Christie’s New York, 4 November 2008,
                                     lot 190.

                                     來源
                                     Frank Caro,盧芹齋繼承人,紐約,1960年代

                                     展覽
                                     德州聖安東尼奧美術館,1984-2017年

                                     此盌紋飾刻劃細致,釉色純淨,體現了雍正官窯清雅脫俗的美
                                     學特點。近似例藏於倫敦維多利亞和阿爾伯特博物館,參考
                                     《Ceramic Art of China and Other Countries of the Far East》,倫
                                     敦,1945年,圖版118(a)號;以及一件玫茵堂的珍藏,見康蕊
                                     君著《玫茵堂中國陶瓷》,倫敦,1994-2010年,第2冊,頁202-
                                     203,圖版855號; 1935-1936年倫敦皇家藝術學院《International
                                     Exhibition of Chinese Art》展覽編號2223和2225;一件來自靜觀
                                     堂的舊藏,見1996年11月3日香港佳士得拍賣,拍品568號;及一
                                     件於2008年11月4日紐約佳士得拍賣,拍品190號。

14
   11   12   13   14   15   16   17   18   19   20   21