Page 52 - Christies DEVOTION IN STONE Gandharan Art From a Japanese Collection Sept 23 2020 NYC
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          A GREEN SCHIST RELIEF WITH THE FOUR ENCOUNTERS      Narrative  reliefs  with  sequential  scenes  from  the  Buddha's  life  became
          AND THE GREAT RENUNCIATION                          enormously popular in Gandharan art and emphasized the Buddha’s physical
          ANCIENT REGION OF GANDHARA, 3RD-4TH CENTURY CE      presence  at  the  embellished  site.  The  present  lot,  which  depicts  the  Four
          10æ in. (27.3 cm.) high; 30º in. (76.8 cm.) wide    Encounters  and  the  Great  Renunciation,  is  probably  a  section  of  a  larger
                                                              arrangement that ornamented the side of a stupa.
          $50,000-70,000
                                                              The scene at proper left depicts the Four Encounters, when Siddhartha first
          PROVENANCE:                                         traveled  outside  the  palace  grounds  with  his  charioteer,  Chandaka.  Having
          Private collection, Europe, by 1988.
          Important private collection, Japan, by 1990.       been  sheltered  by  his  father  for  his  entire  life,  Siddhartha  finally  witnesses
                                                              the  inevitability  of  age,  illness,  and  death.  Before  returning  to  the  palace,
          LITERATURE:                                         he encounters an ascetic seeking to find the cause of human suffering, and
          I. Kurita, Gandharan Art, vol. I, Tokyo, 1988, p. 14, P1-X.  determines to follow the ascetic's example. The following scene, separated by
          M. Akira, Gandharan Art and Bamiyan Site, Tokyo, 2006, p. 78, no. 42.
                                                              a Corinthian column, depicts Siddhartha beside his sleeping wife Yasodhara,
                                                              saying  goodbye  before  he  secretly  leaves  the  palace  to  become  an  ascetic
                                                              against his father’s will.

                                                              Compare  the  present  lot  with  a  related  example  depicting  the  Great
                                                              Renunciation in the British Museum, illustrated by W. Zwalf in A Catalogue of
          50                                                  the Gandhara Sculpture in the British Museum, p. 106.
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