Page 55 - March 17, 2020 Impotant Chinese Art, Sotheby's, New York
P. 55

PROPERTY FROM THE ESTATE OF
           ALLEN O. BATTLE, PH.D

           LOTS 170-184



           Allen O. Battle 醫生 收藏 拍品編號 170-184






           170
           A RARE PARTIALLY COLD-GILT BRONZE         class - father tantras (yang), Supreme yoga class - mother
           FIGURE OF MULTI-ARMED MANJUSHRI           tantra (yin), yoga class, Caryayoga - action-ritual class, and
           QIANLONG MARK AND PERIOD                  Kriyayoga - devotion class.  It is recorded that 787 images
                                                     were enshrined in the Fanhualou and 732 images in the
           seated atop a lotus pedestal, the principal right hand held in   Baoxianglou. Today, only the Fanhualou retains its collection
           karana mudra, with the left holding a ghanta, two additional   of images.
           pairs of arms fanning out around the body, the hands   A similar representation of Manjushri was originally held in
           bearing attributes including a sword, vajra, and ghanta   the Baoxianglou and is illustrated in Walter Eugene Clark
           wearing a dhoti with chased ‘brocade’ borders, a fluttering   (ed.), Two Lamaistic Pantheons, New York, reprinted 1965,
           scarf and ornate jewelry, the three faces each framed   pl. 53, no. 2A 25. Another similar figure placed in Fanhualou
           by a three-leafed crown encircling a multi-tiered topknot   is published in Fanhualou cangbao - Foxiang / Statues in the
           surmounted by a flaming jewel, the deity’s skin cold-gilded,   Sanctuary of Buddhist Essence), vol. 1, Beijing, 2013, pl. 169.
           the hair and facial features detailed in pigments, the front of   Related figures have sold at Christie’s New York, 22nd March
           the lotus pedestal cast with a horizontal reign mark Da Qing   2007, lot 215, and 15th September 2011, lot 1376; in our
           Qianlong Nian Jing Zao, incised below with Wenshu pusa   London rooms, 4th November 2009, lot 215; and in these
           (Manjushri bodhisattva); the back of the pedestal incised   rooms, 17th-18th March 2015, lot 376, and 16th March 2016,
           with Wushang yangti genben (Supreme yoga father tantra   lot 371.
           class)                                    Baron Alexander von Staël-Holstein (1876-1937) was
           Height 6½ in., 16.7 cm
                                                     born in Estonia, and studied Sanskrit and Indian literature
           PROVENANCE                                at the University of Tartu and then in Germany. He was
           Collection of Baron Alexander von Staël-Holstein (1876-  employed by the diplomatic service between 1903–04, held
                                                     professorial positions at the University of St. Petersburg and
           1937).                                    the National University of Beijing where he settled following
           Mathias Komor, New York, 29th November 1950.    the Bolshevik Revolution in Russia. During his time in Beijing,
           Collection of Dr. Allen O. Battle, Ph.D (1927-2020).
                                                     Staël-Holstein established and became director of the
           The Qianlong Emperor was a devout Buddhist and a keen   Institute for Research in Sino-Indian Relations in connection
           follower of Tibetan Lamaist teachings. He had bronze figures   with Harvard University. He amassed a substantial collection
           of the Tibetan Buddhist Pantheon made in the imperial   of several hundred lamaistic statues and paintings.
           workshops to be enshrined in eight Buddhist halls. These
           halls were built in a style called liupinlou (six category halls),   $ 60,000-80,000
           because the figures enshrined in them were divided into six
           categories. Four of these halls were built in the Forbidden
           City, for example, the Baoxianglou and the Fanhualou; three   清乾隆   銅局部鎏金文殊菩薩坐像
           were in Chengde; and one, the Fanxianglou, was in the   《大清乾隆年敬造》《文殊菩薩》
           Summer Palace, then known as the Changchun Garden.  《無上陽體根本》款
           The style of figures enshrined in these halls were based
           on the style of the Ming dynasty favored by the Yongle
           Emperor and derived from Nepalese and Mongolian models,   來源
           highlighted with cold-gilding. Patricia Ann Berger, Empire of   Alexander von Staël-Holstein 男爵 (1876-1937) 收藏
           Emptiness: Buddhist Art and Political Authority in Qing China,   Mathias Komor,紐約,1950年11月29日
           Honolulu, 2003, p. 107, translates the six categories as the   Allen O. Battle 醫生 (1927-2020) 收藏
           Prajnaparamita (Supreme wisdom) class, Supreme yoga













           106     SOTHEBY’S        COMPLETE CATALOGUING AVAILABLE AT SOTHEBYS.COM/N10644                                                                                                                                          107
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