Page 138 - Bonhams Fine Chinese Art November 2018
P. 138

242 *
           A VERY RARE LACQUERED-BRONZE FIGURE OF ‘WILLOW-
           BRANCH’ GUANYIN
           14th/15th century
           The Goddess of Compassion crisply cast standing, her left hand
           holding a vase, her right hand holding a sprig of willow resting on her
           shoulder, richly adorned with jewels and scarves, the slightly elongated
           face with a benevolent expression beneath a tall elaborate crown with
           Amitabha Buddha, traces of gilt and lacquer remaining, stand.
           38.5cm (15 1/4in) high (2).
           £50,000 - 80,000
           CNY450,000 - 720,000
           十四/十五世紀   銅漆金觀音立像

           This sculpture of Avalokiteshvara holding a willow branch is extremely
           rare, exhibiting various elements that had survived in Yunnan for
           several centuries after they had long disappeared in the more
           important centers of Chinese Buddhism.

           This particular iconography of Avalokiteshvara or Guanyin holding a
           willow over the right shoulder and a vase in the left hand, appears to
           be unique to China. As Luo Wenhua noted ‘there have never been
           any traces found of willow-branch Guanyin in India, and this form
           of Avalokiteshvara was supposedly created in China around the 6th
           century, possibly composed of Indian Buddhist iconographic elements
           and Chinese Daoist medical beliefs’; see Luo Wenhua, ‘A Survey of a
           Willow-branch Guanyin Attributed to the Tenth Karmapa in the Palace
           Museum and Related Questions’, in The Tenth Karmapa and Tibet’s
           Turbulent Seventeenth Century, Chicago, 2016, p.158.

           Although the ‘willow-branch’ form of Guanyin was popular during
           the late Sui to early Tang periods, this form of Guanyin gradually
           died out, surviving only in a few outer regions, particularly in Yunnan;
           see K.Debreczeny and G.Tuttle eds., The Tenth Karmapa & Tibet’s
           Turbulent Seventeenth Century, Chicago, 2016, p.211.

           The jewellery is striking, featuring a large typically Chinese ruyi head
           necklace, but the elongated face and tall headdress is more typical
           of South-east Asian style and areas such as Yunnan on the Burmese
           border. See for example, a much earlier bronze figure of Guanyin,
           Yunnan, 12th century, but with similarly elongated face and headdress,
           as well as of similar stance and position, in the British Museum,
           London (ac.no.1950,0215.1). Another 12th century example of
           Guanyin, with similar face and headdress, was sold at Christie’s New
           York, 16-17 September 2010, lot 1005.















                                                  For details of the charges payable in addition to the final Hammer Price of each Lot
           134  |  BONHAMS                        please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue.
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