Page 98 - Bonhams Fine Chinese Art November 2018
P. 98

213



                                                             213  Y
                                                             A LARGE DUAN STONE ‘CARP LEAPING THE DRAGON GATE’
                                                             SCREEN
                                                             Qing Dynasty
                      212                                    The finely carved rectangular duan plaque depicting a carp jumping
                                                             through a gate amidst waves and rocks, beneath a dragon in the
                                                             clouds chasing a pearl, fitted wood stand carved with ruyi scrolls.
           212                                               27cm (10 5/8in) wide x 30cm (11 4/5in) long. (2).
           A VERY FINE SOAPSTONE FIGURE OF THE IMMORTAL LAN
           CAIHE                                             £2,000 - 3,000
           17th/18th century                                 CNY18,000 - 27,000
           Skilfully carved, holding a woven basket of flowers, wearing a richly
           incised layered robe tied at the waist suspending a jade pendant, and   清   端石鯉魚躍龍門硯屏
           with an animal-skin-like cape worn around the shoulder and a ruyi
           necklace, her face with delicate features and her hair painted in black   Provenance: a distinguished English private collection
           drawn up behind a tiara with long ends that trail down onto the back
           and with flowers in the tiara, traces of golden pigment.    來源:顯貴英國私人收藏
           22.5cm (8 6/7in) high.
                                                             The theme of carp and dragons, as in the present lot, originates from
           £6,000 - 8,000                                    a legend that a carp which could leap the falls of the Yellow River at
           CNY54,000 - 72,000                                Dragon Gate would be transformed into a dragon. The motif thus
                                                             became synonymous with hopes for success or victory.
           十七/十八世紀   壽山石藍采和執花籃立像                             Duan stone was produced in Guangdong Province, and got its name
           This figure depicts Lan Caihe, one of the Eight Immortals, who is   from Duan Prefecture. With the lifting of Imperial control over the
                                                             choicest of Duan quarries in the early Qing dynasty, a flurry of private
           associated with the attribute of a basket of flowers. A genderless
           character in Daoist stories, Lan Caihe, however, is usually depicted   mining activities ensued in the 18th century and the stone become
                                                             more available and popular to scholars and gentry into the late Qing
           as a female figure similar to Guanyin from the Qing dynasty onwards.   for use as ink stones and also table screens; see D.Ko, The Social Life
           Compare with a soapstone figure of Guanyin, sold at Sotheby’s Hong   of Inkstones: Artisans and Scholars in Early Qing China, Seattle, 2017,
           Kong, 24-25 November 2014, lot 1202.
                                                             pp.58-61.
                                                  For details of the charges payable in addition to the final Hammer Price of each Lot
           96  |  BONHAMS                         please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue.
   93   94   95   96   97   98   99   100   101   102   103