Page 23 - japanese and korean art Utterberg Collection Christie's March 22 2022
P. 23

涅槃寂静 | THE COLLECTION OF DAVID AND NAYDA UTTERBERG (LOTs 1-20)











 4
 ANONYMOUS (JAPAN, LATE 13TH-EARLY 14TH CENTURY)
 Miroku Bosatsu (Bodhisattva Maitreya) in Welcoming Descent

 Hanging scroll; ink, color, gold and gold leaf on silk
 33¡ x 14¿ in. (84.8 x 35.9 cm.)
 Inscription attributed to Emperor Fushimi

 $300,000-400,000

 弥勒菩薩来迎図 伝伏見天皇勅題

 PROVENANCE:
 Hoju-in Temple, Nara
 Okabe Shun’ichi, Kyoto
 Hosomi Ryo (1901-1979), founder of the collection in the Hosomi
 Museum, Kyoto
 Leighton R. Longhi, New York, 10 Nov. 1990
 LITERATURE:
 Leighton R. Longhi, Forty-five Years in Asian Art (New York:
 privately published, 2019), pl. 7
 Kokka 766 (Jan. 1956), pl. 5



 The inscription on top is believed to be by Emperor Fushimi
 (1265–1317), who reigned from 1287 to 1298, based on
 comparisons with other examples of his writing. The date of the
 painting is thought to be around 1313, when Fushimi took the
 tonsure and became a Buddhist monk. The text reads from right
 to left and consists of three Buddhist ceremonial chants invoking
 Miroku 弥勒講式 (Miroku koshiki), written by the famous Hosso-
 sect monk Jokei (1155–1225). In 1192, Jokei moved to Kasagidera,
 outside Nara, known for Miroku worship because of the massive
 image of Miroku carved into a nearby cliff. Earlier, he resided at
 Hokuendo within Kofuku-ji, Nara, where Miroku was the primary
 image.
 The literary genre known as koshiki was popular during the late
 Heian and early Kamakura period. Koshiki, translated by one scholar
 as “Buddhist ceremonials,” are liturgical texts that, by promoting
 devotion to a particular buddha, bodhisattva, or patriarch, seek to
 generate a karmic link (kechien 結縁) between the ritual participants
 and the object of devotion. Practitioners, in this case perhaps
 including Emperor Fushimi, who may have inscribed the koshiki
 on this painting, would gather in groups of ten or twelve to recite
 the text before the image, whether a painting or a sculpture. These
 gatherings were important sources of fundraising, as well.
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