Page 70 - japanese and korean art Utterberg Collection Christie's March 22 2022
P. 70

涅槃寂静 | THE COLLECTION OF DAVID AND NAYDA UTTERBERG (LOTs 1-20)























                                                                                                                                                                                                Although Zhang Jizhi is renowned for his monumental writing in
                                                                                                                                                                                                standard and running scripts, such as Song of Twin Pines in Standard
                                                                                                                                                                                                Script at the Palace Museum in Beijing, and Excerpt from Song of
                                                                                                                                                                                                Leyou Park at The Metropolitan Museum of Art in New York, his
                                                                                                                                                                                                medium-sized calligraphy is often more delicate and fluid in nature.
                                                                                                                                                                                                The inscription, yaotiao, refers to a quiet, virtuous grace that can be
                                                                                                                                                                                                traced to one of the earliest poems in the Book of Songs:


                                                                                                                                                                                                Modest and graceful is the gentle beauty,

                                                                                                                                                                                                For a gentleman what a good mate she is.



                                                                                                                                                                                                Here, the balanced and square form of the calligraphy is reminiscent
                                                                                                                                                                                                of the writing of Yan Zhenqing and Huang Tingjian. The
                                                                                                                                                                                                brushwork is confident and forceful, boldly contrasting thick and
                                                                                                                                                                                                thin strokes to create a strong sense of visual drama.

                                                                                                                                                                                                The present work, attributed to Zhang Jizhi, was remounted and
                                                                                                                                                                                                preserved in Japan, where his handwriting was often found in
                                                                                                                                                                                                fragments. The two characters in the Utterberg scroll, arranged
                                                                                                                                                                                                vertically, were likely carefully put together by previous Japanese
                                                                                                                                                                                                collectors.
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