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LU ZHI 1496-1576 ⼌曆炻Ⱉ儛䑘㶭䓥ˤ⊿Ⲿ⭧暒⭺炻㜙旄㘐 WANG XUEHAO 1754-1832
LANDSCAPE OF TIGER VALLEY 㚎㘾ˤ昘㢖ⱑ儡䨢炻娘⯰儘廱ˤ䥳䢔句 LANDSCAPE AFTER WU ZHEN
暚䪗炻⭝䅰俧⣑⋲ˤ嗽侭ˎ儎妠炻Ἦ侭憵
ink and color on paper, handscroll 㟡怢ˤḰ兢恎⭬㗪炻㬟忲⯸念ˤᶵ柀㕴 ink on paper, hanging scroll
㕿埴炻⿸樂䥥渧㔋ˤ㌓嗧䩖怫㶙炻㒂㩣㛃 signed Shuqi Hao, dated xinmao (1831), winter,
signed Baoshan Lu Zhi, inscribed with a poem,
with two seals of the artist, bao shan zi, lu shi ⸛怈ˤ⮳⸥㖊㬉㫋炻姒⎌ㆾ冰㬉ˤ吔慹⡛ inscribed “imitating Meihua an (Wu Zhen, 1280-
shu ping 晛炻㶔∵㰈䋞㻓ˤ⅘曘ⅳ⎌㛱炷䙖映 1354)’s ink method”, with three seals of the
娈侭炸炻㛙ᷡ㴖㕟䯉炷Ṳ䥳Ⲿᶳ㱱㸏炻⼿ artist, yi hua an, shu qi, yi hua xuan
Colophon includes essay and poems copied by 135.9 by 47.9 cm. 53½ by 18⅞ in.
䪡䯉㔠䇯炻䘮㛙㚠㚱⎌⸜嘇炸ˤ䍵慵嫃䞛
Xu Weiren (19th Century), signed Weiren, dated
wuxu (1838), the Þ fth lunar month, with two ⬀炻嫷ㄹ櫤娑娽ˤⒸ岊䔁桐Ṩ炻怢⡐伭䰱 $ 8,000-12,000
seals, xu wei ren, wen tai 㜧ˤ晒婆〱⅍㏄炻㶭㘗ᶵ⎗忕炷㛶堃℔ˣ
柷欗℔侴ᶳ䭯Ṩᾙ⛐炸ˤ⚳㛅㚱䫮㛕炻Ⲿ
With one collector’s seal of Jean Dubosc (1903- 䌳⬠㴑ġầ⏛捖Ⱉ㯜ġ㯜⡐䳁㛔ġ䩳庠
1988), ba li du rang bo qiu shi ping sheng zhen ⡩⇣䧄⧱ˤ↨䞇⏃嫐㚠炻漵噯ᶵ䔹䭮炷哉
shang 㚠∵㰈⡩䭮䓇℔冢炸ˤḴ伶屩䥒炻⋫⎌ 㫦嬀烉彃⌗炷1831炸⅔㖍炻ầ㠭剙⹝⡐㱽
37.5 by 24.1 cm. 14¾ by 9½ in. 榕Ṣ䛤ˤ㕤㗪↢ᶾⷓ炻ⅰỷ㖍䆇䷽ˤ䘤䶋 㕤Ⱉ⋿侩⯳ᷳ㖻䔓幺ˤ㧡䔎㴑ˤ憸⌘烉䌳
┬冣炻䔊≃㠻ⶍ₅ˤ䳢⬯䓇廅炻⊅㦑 ⬠㴑ˣ勖䔎ˣ㖻䔓幺
LITERATURE
⤪⼑䴊ˤ㴟䛦①⬱㞾炻⬿桐グ《斉ˤ徎昝
Osvald Sirén, Chinese Painting: Leading Masters 奢枛㶭炻䞛⭌樂㾌㺧ˤ冒ょ㍃主㬠炻⽫冯
and Principles, New York: The Ronald Press
䳃㊸㕟ˤ㭷Ἦ⮳楁⇶炻ⷠ⼿Ⲑ慶⺩ˤᷭ䔁
Company, 1956, vol. VII, p. 215
咖㺷䦣炻ˎˎˎ婯㫦ˤ曚ḽ㰚暚㻧炷Ⱉ
PROVENANCE 㚱映泣㻠ḽ炸炻⅘ˎ娎剛勰ˤ㚨ㄸ勱㧡
Jean Dubosc collection 㗍炻⸦ッ䄁㘂ˤ栀啱ᶨ⹝⎵炻㕤勚ᾖⰙ
奨ˤ⎌娑⚃⋩枣炻䔁柴᷽᷀⮢ℤ䯉凄䥒
$ 120,000-180,000
ⷓ炻哋➪ˤ
⼴⎎䳁⼸㷕ṩ抬檀怄⽿⸷㔯ˣ䌳炷⢓
映㱣ġ嗶᷀⚾ġ姕刚䳁㛔ġㇳ⌟ 傥炸㫉ˬ㷠˭⫿枣ˣ㛶両炷⍼ㆸ炸㫉ˬ
᷽˭⫿枣ˣ⻝䶗炷⽟㨇炸㫉ˬ恙˭⫿枣ˣ
慳㔯烉慹敞䑘↿炻㉙悕ᶨ᷀㕄ˤ㱱句楁 檀怄⽿㫉ˬ⮢˭⫿枣ˣ栏旧䐃㫉枣娑娛
㼕暒炻剙㖶三⡩曆ˤ∵㴖⮞㭧炻⟼⼙㶐
慹㱁ˤ叔≓䓇⿒炻䚌䨢㑩侈厗ˤ 㔯ᶵ抬ˤ
㫦嬀烉ㆲㆴ炷1838炸⋰㚰炻㚠㕤晐幺炻㷕
㫦嬀烉⊭Ⱉ映⅞ˤ憸⌘烉⊭Ⱉ⫸ˣ映㮷
⍼⸛ ṩˤ憸⌘烉⼸㷕ṩˣ㔯冢
揺啷⌘烉湶㜄嬻㝷䥳㮷⸛䓇䛇岆
柴嵳烉᷽᷀ỽ䁢Ⱉ炻殐㲊㸏侴栗炷⎌媪㴟
㸏ḇ炸ˤġょ曺捖ᶨ昭炻ⲁ䥨䉨䃉旸ˤ态 䙺味揓⇣烉㖶映㱣嗶᷀⚾⌟ˤ㞗曺棐䍶
Ⲙᷫ䛦昘炻⚃㛃㊙⬌ⶀˤᶲ㚱㡝䌳⭞炻檀 啷ˤ
⡻攟㳚剹ˤ忲Ṣ㍍川Ἦ炻⋫慴⽭慵嵤ˤ⣼
↢䇰
崘嵐Ⰼ炻ⅴ䪞昇暚㢏ˤᶳ䝘㳆⹕⋹炻‵ ╄漵ṩ叿↢䇰⍫教劙㔯ˤ
䜐曰㶢ˤ᷶Ⱑ⮞敋炻ẘᷳ䚖䜃䛑ˤᷕ
㚱㖶㚠炻渿劍㖍㗇䂄ˤᶱ㛅䦀啷炻䘦 Ἦ㸸
曰ℙ⸥岲ˤ勚䂱䛇䤷⹕炻䝣侭䘮刚㿹炷枛 㜄ỗ䥳炷㞗曺棐炸冲啷
戹炸ˤ㔣奢⠝ᶾ朆炻⿵⤪⊾❶䎦ˤ⟼枪䛯
52 SOTHEBY ’S FINE CLASSICAL CHINESE PAINTINGS & CALLIGRAPHY

