Page 284 - 2018 Hong Kong Important Chieese Art
P. 284

Originally compiled by Lou Shou in AD 1145, the Gengzhi tu   of his writing. The Qianlong Emperor, propagating himself as
           [Pictures of Tilling and Weaving] is a depiction of the different   a glorious descendant in line to the generations of enlightened
           stages of agriculture and sericulture, used as reference   rulers, was determined to create a version paying homage to
           material to farming. It was also conceived as a metaphor for a   his predecessors. In 1739, he commissioned court painters
           prosperous, ordered Confucian society under a magnanimous   to make copies of the Kangxi album, and composed his own
           and benevolent ruler. In the Qing dynasty, this was further   poetic verses in addition to his grandfather and father’s
           developed into an important subject to glorify the golden   contributions, which are included on the pages adjacent to the
           age under the justified governance of the Manchus. Hence   illustrations and enclosed within characteristic borders of red
           the three Emperors during the pinnacle of the Qing dynasty,   dragons on the present album.
           namely Kangxi, Yongzheng and Qianlong, had commissioned
                                                     Stylistically, the architectonic treatment of the scenes on
           various editions of these scenes to be printed.
                                                     the present albums demonstrates a continued interest in
           Derived quintessentially from original woodblock prints   Western linear perspective, pioneered by the Kangxi Emperor
           commissioned by the Kangxi Emperor in 1696, after a painted   and further galvanised during the Qianlong period. Realistic
           album by the court painter Jiao Bingzhen (1689-1726), the   depiction of facial expressions, more accurate interpretation of
           present albums preserved the original format with a preface   the human anatomy and the use of Western three-dimensional
           and poems composed by the Kangxi Emperor in the manner   modelling are also characteristic of 18th-century pictorial
                                                     aesthetics.









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