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           PROPERTY OF A GENTLEMAN                   清康熙    五彩花神盃
           A FINE WUCAI ‘MONTH’ CUP                        《大清康熙年製》款 「賞」字
           MARK AND PERIOD OF KANGXI
                                                     來源:
           finely potted with deep rounded sides rising from a short   香港蘇富比1998年4月28日,編號823
           foot to a flared rim, the exterior delicately enamelled with red
           florets, the reverse inscribed in underglaze blue with a poem   詩文:
           reading Qing xiang he su yu, jia se chu qing yan (‘The fragrance   清香和宿雨,佳色出晴烟
           blends with the flavour of evening rain; the beautiful colour
           stands out in clear weather like in mist’), followed by a seal
           mark reading shang, the base inscribed in underglaze blue with
           a six-character reign mark within a double circle
           6.6 cm, 2⅝ in.

           PROVENANCE
           Sotheby’s Hong Kong, 28th April 1998, lot 823.

           HK$ 300,000-500,000
           US$ 38,300-64,000



           Month cups depicting seasonal flowers accompanied by   Complete sets of month cups are extremely rare. A full set
           pertinent two-line poems, represent a classic design of the   of month cups in the Palace Museum, Bejing, is illustrated in
           Kangxi period. Very delicately potted, they are painted in   Kangxi. Yongzheng. Qianlong. Qing Porcelain from the Palace
           the proper wucai palette of underglaze blue and overglaze   Museum Collection, Hong Kong, 1989, p. 65, pl. 48; another
           enamels, which was devised in the Ming dynasty, but rarely   set from the Sir Percival David collection and now in the British
           used in the Qing, when the underglaze colour was generally   Museum, London, is published in the Illustrated Catalogue
           omitted. On these month cups the designs are generally   of Qing Enamelled Wares in the Percival David Foundation
           sketched on the unglazed porcelain in a faint underglaze blue.  of Chinese Art, rev. ed., London, 1991, pl. 815; another in
                                                     the Idemitsu Museum of Art, Tokyo, is included in Chinese
           Slight differences in size, colours, writing styles and marks
                                                     Ceramics in the Idemitsu Collection, Tokyo, 1987, pl. 221.
           between individual cups and different months suggest that
           even these cups may not have been produced as sets of
           twelve, but perhaps issued consecutively, as the year evolved,
           to be assembled at the end.

























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