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76 Books & arts The Economist April 25th 2020
Coffee and capitalism refreshment from the Arab world, became the story of El Salvador’s emergence as the
information exchanges and centres of col- world’s most intensive coffee economy,
The big grind laboration; coffee remains the default and following coffee beans from Hill’s
drink of personal networking to this day. plantation to American consumers’ cups,
The focus of Augustine Sedgewick’s Mr Sedgewick painstakingly shows how
book is not coffee’s effect on drinkers but shifts in the global coffee market have af-
its role in the story of global capitalism, as a fected conditions for workers on the
commodity that links producers in poor ground. The result is a portrait of the politi-
countries with consumers in rich ones. cal and economic consequences of the
Coffeeland. By Augustine Sedgewick.
Penguin; 444 pages; $30 and £25 Coffee does more than merely reflect this world’s addiction to coffee.
divide, he argues—it has played a central He tucks many fascinating details into
hat began as an obscure berry from role in shaping it. It is, he notes, “the com- his narrative. Contrary to popular belief,
Wthe highlands of Ethiopia is now, five modity we use more than any other to for example, it was not the Boston Tea Party
centuries later, a ubiquitous global neces- think about how the world economy works that led to tea’s dethronement as America’s
sity. Coffee has changed the world along and what to do about it”. favourite hot drink: it was the abolition of
the way. A “wakefull and civill drink”, its To illuminate this history, and the web tariffs on coffee imports in the early 19th
pep as a stimulant awoke Europe from an of connections between workers on plan- century, as the United States sought to
alcoholic stupor and “improved useful tations and coffee-sipping consumers, Mr build trade ties and buy influence across
knowledge very much”, as a 17th-century Sedgewick focuses on a single planter in Latin America. Imports doubled every de-
observer put it, helping fuel the ensuing one country: James Hill, a British emigrant cade between 1800 and 1850; during the civ-
scientific and financial revolutions. Cof- who by the 1920s had established himself il war the average Union soldier consumed
feehouses, an idea that travelled with the as “the coffee king of El Salvador”. By telling five cups of coffee a day. By the turn of the
20th century consumption per person in
America was roughly double the level in
Dutch fiction
France and ten times that in Italy. Most of
Cold comfort farm this coffee came from Latin America.
A secondary theme is the relationship
between food and labour, and the effort to
measure human food consumption and
energy output. Hill applied ideas from in-
The Discomfort of Evening. By Marieke in a pail, hoping that if the animals can dustrial Manchester, the city of his birth, to
Lucas Rijneveld. Translated by Michele somehow be induced to mate, her par- wring as much work as possible from his
Hutchison. Faber & Faber; 296 pages; ents will love one another again. After team. By paying mostly in food, and re-
£12.99. To be published in America by the farm is overwhelmed by foot-and- moving all other sources of it (such as wild
Graywolf Press in September; $16 mouth disease, though, and the family fruit trees), he could manipulate the degree
herd has to be destroyed, the story takes of hunger among local workers, and thus
he 29-year-old author of this im- an even darker turn. the availability of labour. The resulting cof-
Tpressive Dutch debut, Marieke Lucas The author, a prizewinning poet, is fee was then used to optimise the efficien-
Rijneveld, grew up on a dairy farm in deft with words. “Kissing with tongues”, cy of workers in America, as bosses realised
North Brabant. Cows, in this telling, are the narrator reflects, “always makes me that formal coffee breaks improved pro-
sensitive creatures; sick cows are the think of those slimy, purplish-red cook- ductivity. Both coffee producers and con-
sweetest kind. “You could stroke them ing pears that Mum makes.” Out in the sumers, Mr Sedgewick scathingly implies,
gently without them suddenly kicking farmyard, “Two forks lie with their teeth are mere cogs in the remorseless machin-
back at you.” The meagre comfort in “The through each other…like hands praying.” ery of global capitalism.
Discomfort of Evening” comes from It is the strange, haunting observations After all this readers might expect his
these beasts; the humans in this searing through which the child, Jas, tries to conclusion to be a ringing endorsement of
novel, shortlisted for the International make sense of the grown-up world that the “fair trade” model (coffee is by far the
Booker prize, are too numb with pain to give this novel of grief its particular leading fair-trade product), which adds a
be able to console anyone. power. A book to read—and to remember. small premium to the price of certified cof-
Ten-year-old Jas, the narrator, and her fees to fund projects to improve workers’
devout family live on a small farm in welfare. In fact, Mr Sedgewick thinks the
rural Holland. Theirs is a stern God rather arguments over fair trade obscure a more
than a loving one. When the family vet fundamental issue, which is the lack of
arrives at the homestead just before other opportunities in places where the lo-
Christmas to report that Jas’s oldest cal economy is dominated by coffee. In El
brother has drowned, having fallen Salvador’s “dictatorship of coffee”, where
through the ice on a skating trip, Jas’s coffee planters enjoyed a virtual monopoly
mother believes God is punishing her for on politics, the only alternatives were mi-
being a bad parent. The Christmas tree is gration or revolution, leading to decades of
taken down, the decorations put away. strife during the 20th century that pitted
The adults turn inward; the children face coffee growers against their overlords.
their grief on their own. “We are growing Artfully blending together all these
up with the Word, but words are lacking strands, and juggling a wide cast of charac-
more and more frequently at the farm.” ters, Mr Sedgewick’s book is a parable of
Jas and her two surviving siblings how a commodity can link producers, con-
embark on a series of rituals to try to hold sumers, markets and politics in unexpect-
the family together. She keeps two toads ed ways. Like the drink it describes, it is an
eye-opening, stimulating brew. 7