Page 39 - Cooke's Peak - Pasaron Por Aqui

1. PaigeW.ChristiansonandFrankE.Kottlowski, Mosaic of New Mexico's Scenery, Rocks, and History (Socorro, New Mexico: New Mexico Institute of MiningandTechnology,1964),p.3(hereaftercited
as Christianson and Kottlowski, Mosaic).
2. SomesourcessuchasMarthaM.Hammersen, “The Prehistoric Mogollon Culture and Its Regional Aspects in the El Paso Area,” The Artifact, Vol. 10 (No. 1, 1972), p. 6, claim this date was closer to 2500 B.C. Examination of recently excavated mammoth remains south of Las Cruces, New Mexico may shed
additional light on the matter.
3. Christianson and Kottlowski, Mosaic, p. 3; J. J.
Snodgrass, Realistic Art, p. 2.
- Brody, Scott, and LeBlanc, Ancient Art, p. 27.
16. Wormington, Prehistoric Indians, p. 159.
17. Brody,MimbresParadox,p.20.
18. ByronCummings,FirstInhabitantsofArizona
andtheSouthwest(Tucson:CummingsPublication Council, 1953), p. 179.
19. Brody, Mimbres Paradox, p. 24.
20. One of the clearest petroglyphs near Massacre Peak is that of a fish that is evidently a shark or sturgeon.
21. HaroldSterlingGladwin,AHistoryoftheAn- cient Southwest (Portland, Maine: The Bond Wheelwright Company, 1957), p. 224 (hereafter
Endnotes - Chapter 1 15.
Brody, Catherine J. Scott, and Steven A. LeBlanc, MimbresPottery:AncientArtoftheAmericanSouth- citedasGladwin,AncientSouthwest).
west (New York: Hudson Hills Press, 1983), p. 23 (hereafter cited as Brody, Scott, and LeBlanc, An-
cient Art).
4. J. J. Brody, “The Mimbres Paradox,” New
Mexico, Vol. 55 (Oct., 1978), p. 20 (hereafter cited as Brody, “Mimbres Paradox”). Mogollon is pronounced ’Muggy-own’ by the archaeologists.
5. Warren A. Beck and Yenez D. Hasse, Historical Atlas of New Mexico (Norman: University of Ok- lahoma Press, 1969), p. 12 (hereafter cited as Beck
and Hasse, Historical Atlas).
6. Brody,Scott,andLeBlanc,AncientArt,p.26. 7. DanielTyler,AConciseHistoryoftheMormon
Battalion in the Mexican War, 1846-1847 (Chicago: The Rio Grande Press, 1964), p. 204; Deming Graphic, Oct. 21, 1968, p. (unknown).
8. Brody, Scott, and LeBlanc, Ancient Art, p. 26.
9. H.M.Wormington,PrehistoricIndiansofthe Southwest (Denver: The Denver Museum of Natural History, 1969), pp. 151-157 (hereafter cited as Wor- mington, Prehistoric Indians).
10. OliverTheodoreSnodgrass,RealisticArtand Times ofthe Mimbres Indians (El Paso: private print- ing, 1975), p. 1 (hereafter cited as Snodgrass, Realis-
tic Art).
11. Brody, “Mimbres Paradox,” p. 23.
12. Brody, Scott, and LeBlanc, Ancient Art, p. 27. 13. MyraEllenJenkins,SantaFe,April25,1984,
letter to the Author (hereafter cited as Jenkins, April 25).
14. Wormington, Prehistoric Indians, p. 158;
22. Brody, Mimbres Paradox, p. 25.
23. Wormington, Prehistoric Indians, pp. 159-161. 24. Brody, Scott, and LeBlanc, Ancient Art, p. 44. 25. Ibid., p. 69; Snodgrass, Realistic Art, p. 171. 26. Bureau of Land Management, Draft Environ-
mental Assessment - Appendix C. Cooke’s Range WSA (NM-030-031) (Las Cruces, New Mexico: Bureau of Land Management, U. S. Department of the Interior, 1983), p. Cl.
27. Polly Schaafsma, “Images on Stone,” New Mexico, Vol. 58 (Mar., 1980), p. 19 (hereafter cited asSchaafsma,“Images”).
28. PollySchaafsma,IndianRockArtoftheSouth- west (Albuquerque: University of New Mexico Press, 1970), p. 199.
29. Ibid., p. 201. Since there are at least three sites in the foothills of Cooke’s Peak alone, it is quite probablethatSchaafsmawasnotfamiliarwithallof the available rock art examples; indeed most of her illustrations seem to have been taken from the Mas- sacre Peak site at the west end of Cooke’s Canyon. However,whatisimportantisthatthelinkbetween the Mimbres pottery art and the rock art has been established.
30. Ibid., p. 203.
31. Schaafsma, “Images,” p. 22; LaVan Martineau, Tire Rocks Begin to Speak (Las Vegas, Nevada: KC Publications,1973),p.ix.
32. Ibid., pp. 40-41.
33. Ibid., pp. 169, 171.
34. Christianson and Kottlowski, Mosaic, pp. 5, 60.
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