Page 23 - Allison's Magazine Issue #97
P. 23

Do you still live on the land where   one millimeter from across the room
 your father first built a house?  and would immediately correct it. He
 I live across the road from the land   happily went with the flow of postwar
 where my father first built his house. In   interest in Japanese design and the
 the beginning, he bartered three acres   concepts of wabi, sabi and shibui, which
 of land for labor on the owner’s farm,   were embodied in his work. One of
 purchased two more small parcels, and   my favorite pieces is the Persian walnut
 then had the opportunity to purchase   coffee table in our living room that
 twenty-five acres across the road. As   my father made. It has a large hole in   Conoid coffee table
 an incentive to bring me home from   the middle, which my youngest son
 Pittsburgh, where I was raising my   used to climb into and pretend he was
 growing family, he offered me two and   driving. My youngest grandson came to
 a half acres of that new parcel of land,   visit and did the exact same thing!  My
 a house, and a part-time job in 1970,   other favorite is the Conoid chair, once
 and I couldn’t pass up the offer. The   criticized for being structurally unsound
 workshop on the original property was   but since proved otherwise by being in
 built in 1945, and in subsequent years   constant production since 1960. It is
 my father constructed many other   always graceful, always comfortable, and
 buildings, including his house, an Arts   always beautiful in its simplicity.
 Building, and the Conoid Studio.
 Why was it important to your
                                             Conoid lounge chair
 How did your father’s work initially   father to leave the imperfections
 get noticed?  in the wood? Do you think it was
 It was a hard go in the beginning.   a metaphor for other parts of his
 Dad developed a relationship with   life? Or do you see it as more of a
 Rabun Studios in New York, where he   contradiction to his perfectionism?  “ WE STRIVE TO MAKE SOMETHING BEAUTIFUL BY
 occasionally sold a few pieces, but it was   I believe that it was perhaps a metaphor   RESPECTING THE WOOD AND THE LIFE IT HAS
 not until he joined a group of designers   for our lives—living with imperfection   LIVED, NOT JUST CUTTING IT APART AND GLUING IT
 at Knoll Studios in 1945 that he   and making the most of it, adding
 began to be recognized as a prominent   butterflies here and there not only as   BACK TOGETHER TO MAKE A MAN-MADE SHAPE.
 furniture designer. This recognition gave   mending devices but also as “beauty
 him the freedom to make furniture on   marks,” and improvising with what
 his own terms in his own shop and to   life throws in our path. We strive to   However, my father convinced me   What was it like being an apprentice   How would you describe your
 earn a decent living.  make something beautiful by respecting   to major in architectural sciences at   for your father?  work ethic?
 the wood and the life it has lived, not   Harvard instead of linguistics or music   It was tough being an apprentice to   My work ethic is a bit obsessive, as I
 What are some hallmarks of the   just cutting it apart and gluing it back   and then arranged for me to attend   my father. He never explained why or   never seem to be able to finish what
 Nakashima line? Will you talk about   together to make a man-made shape.   graduate school at Waseda University   how he did what he did, except when I   needs to be done in the time available
 one or two of your favorite pieces?  It is also a lesson in humility and   in Japan to earn an advanced degree   would accompany him to the sawmill.   during work hours. One of our former
 My father always said that he would   sublimation of ego to allow the wood   in architecture. The university worked   He did not tolerate having his authority   secretaries marveled that my parents’
 not be interested in making furniture   itself to tell you what it wants to be.  on the atelier system, so as students   questioned or challenged and fired me   jobs were not only all-consuming but
 out of any material other than solid   we worked on real projects with real   many times. I eventually learned to do   also served as their entertainment, social
 wood. He believed in honest joinery   Did you want to follow in your   architects as our instructors, which   as I was told most of the time, until he   life, happiness, and self-fulfillment. I
 and a minimum of metal fasteners,   father’s footsteps or forge your   provided invaluable and unforgettable   had his stroke shortly before his death   used to think they were a bit crazy, but
 never used plywood, except where it was   own path?   lessons. While I was a student in Japan,   in 1990, when I had to take over and do   my own life has become the same way.
 not seen, and had such an uncannily   I had no intention of following in my   I taught English on the side, did some   what I thought he would have done. His   There is little time for anything else,
 keen sense of proportion that some   father’s footsteps and no intention   translation work, and brought my first   mantra was to forget your ego, which   other than a bit of music here and there.
 people say he could see the error of   of ever coming home after college.   baby to graduation.  was a hard lesson to learn.





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