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1.3 Poetry and Wisdom

                             Hebrew poetry makes use of parallelism. Defined simply, two lines are parallel with the
                             second line usually saying something similar to the first line. Experts often define parallels
                             differently. Without getting too technical, in parallelism the second line may come close
                             to restating the same truth as is in the first line. The second line may explain the same
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                             truth, connect cause and effect, or make a contrast or comparison.  Yet even more than
                             these possibilities, parallel statements are designed to “intensify” the theme of the
               author. He does not repeat for variation or to fill a form. He has a point to make, and he uses this
               technique to move the reader to a conclusion, a theological conclusion.
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               Some translations try to print poetry differently than prose. Translations can even vary in identifying
               what is poetry and what is prose. The first poem in the NIV translation contains the words of Adam when
               God created Eve in Genesis 2:23: “This is now bone of my bones/ and flesh of my flesh;// she shall be
               called ‘woman,’/ for she was taken out of man.” Without much difficulty the reader can see the
               parallelism of the first two lines and of the last two lines. Even in this short poem of four lines, we can
               see a certain amount of intensification taking place. Printing the material as poetry helps understand the
               meaning more quickly.

               As we move through the OT, we have bits and pieces of poetry such as the
               song of Lamech in Genesis 4:23-24. Jacob’s blessing of his sons is also
               printed in poetical form (Gen. 49:2-27).  Both of these poems use
               parallelism to communicate meaning. Consider the compact poem in
               Exodus 15:1-18 as an example of Hebrew poetry. It is labeled a song, and
               Miriam along with the rest of the women sang a shortened version,
               dancing and shaking timbrels, or tambourines, as they sang.

               We can gather a lot of information using simple reading skills. The poem
               has plot. Beginning with the horse and driver hurled into the sea (v. 1), the
               writer moves to the effect of Egypt’s defeat on other nations when they hear the news. They will hear
               and tremble and be terrified (vv. 14, 15). References are made to different characters; God, Pharaoh and
               his army, the people God redeemed, and those future nations. The setting
               is the Red Sea, described in a variety of ways: sea (v. 1, 4, 10), deep waters   Figure 2: timbrel, 6th cen. B.C.
               and depths (v. 5), waters piled up, surging waters, and deep waters (v. 8),
               and mighty waters (10).

               The theme is the greatness of the LORD. He is highly exalted (v. 1), and the LORD reigns forever and ever
               (18). We read much about his characteristics as the people celebrate the traits that make him great. He




               5  Douglas J. Mock, Bible Study Methods and Rules of Interpretation (Atlanta: BTCP, 1989), 64
               6  Robert Alter, The Art of Biblical Poetry (New York: Basic Books, 1985), 63.
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