Page 15 - Ruminations
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13. “Sufficiently advanced”

           Much  has  been  made  of  Arthur  C.  Clarke’s  dictum  that  any
        sufficiently advanced technology is indistinguishable from magic; the
        applications and implications of that sufficiency are wide and deep:

        1. As a literary phenomenon. It sheds light upon the syncretism of
        “hard”  science  fiction  and  mystical  fantasies.  These  two  speculative
        genres have fed off each other for centuries.  The great advances in
        physical  and  biological  sciences  in  the  twentieth  century  opened  an
        ever-wider arena for magic to stay a few steps ahead of new, powerful
        and  recondite  discoveries,  appropriating  language  and  methodology
        from popular accounts of laboratory breakthroughs. That the resultant
        literary legerdemain is often beyond the bounds of the possible does
        not matter: it is sufficiently advanced to satisfy its audience.

        2.  As  a  psychological  phenomenon.  The  irremediable  human
        capacity for delusion creates another gap or gray area in which evident
        manifestations  of  manipulated  physical  phenomena  cannot  be easily
        perceived. This runs the gamut from stage magicians and con artists to
        a  wide  variety  of  spiritualists  and  miracle  workers.  That  some  real-
        world  occurrences  do  not  have  an  immediately  apparent  cause
        encourages gullibility to outstrip skepticism, particularly when mystical
        explanations  fit  previously-held  beliefs.  This  is  the  principle  of  the
        multiplication of mysteries: each new fantasy acts as confirmation of
        the next. Sufficient advancement need be minimal, in this case.

        3. As an historical phenomenon. To the extent temporal power is
        retained by consent of the mystified, rulers strive to be controllers of
        magic,  from  shamans  to  divine-right  kings.  When  that  legitimacy
        includes  obfuscating  the  mundane  nature  of  technology,  it  is
        vulnerable  to  the  spread  of  knowledge  (violating  taboos)  or  being
        easily toppled by invaders with superior weaponry (Europeans in the
        Age of Conquest or space aliens in science fiction). In the modern age,
        owing  to  widespread  education  rather  than  Martian  ray  guns,
        politically  entrenched  magic  has  fought  desperately  to  remain
        sufficiently advanced.

          One  may  conclude  that  humanity  allows  technology  to  be
        surpassed by magic anywhere but in fairy tales at its peril. Clarke was
        not merely describing his craft: he was describing a fatal flaw.
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