Page 47 - Labelle Gramercy, On the Case
P. 47

Thrown for a Loss

        would take anyone, no matter what kind of grades they had, for the
        tuition money and who knows what other payoffs. My kids couldn’t
        get a scholarship to state college even though they qualified based on
        my income. That’s life.
          “Do you have many friends?”
          “Sure!”  That  was  her  liveliest  remark.  No  girl  wants  to  be
        friendless.
          “Do you ever meet them here?”
          “No. Grandma doesn’t let me go anywhere after school, because
        she needs me to help out around the house.”
          Poor  kid.  Still  talked  as  if  her  grandmother  were  alive.  The
        policewoman’s line of questioning was no mystery to me. She wanted
        to know if Autumn knew anyone else here, like the mall rats. It didn’t
        seem like she would, but I was wrong.
          “How about those boys over there?”
          Autumn raised her tear-streaked face and blinked in the direction
        of the food court.
          “Maybe. They look familiar, sort of. I lost my contact lenses when
        I fell, so I can’t see too well.”
          Labelle nodded vigorously, looking at the table where the mall rats
        sat hunched over, pretending to be uninterested but unable to avoid
        paying more attention to us than the bag of chips they were sharing.
        What did they think she was acknowledging?
          “Do you come here only on weekends?”
          “Oh, yes, every Sunday afternoon for tea, after church. Grandma
        likes the little sandwiches, the ones without the crust, that they serve
        over there at Krumpet Kozy. We would never waste any part of a
        piece of bread at home, but she didn’t mind paying in a restaurant for
        someone else to cut off the crust and throw it away. It was like her
        reward for going to church.”
          That tea shop behind us in the food court was probably the only
        place on the second floor that would appeal to the older set. It was
        done  up  in  pastel  colors  and  lots  of  frilly  pillows  and  feminine
        touches. Small groups of women were the usual customers. It even
        had its own restrooms, so the patrons wouldn’t have to mingle with
        people like the mall rats. Personally, it gave me the creeps. It looked
        like  a  cross  between  a  nursery  school  and  a  nursing  home.  But  it
        made sense for Bertha Marks to take Autumn Pratt there. The old

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