Page 91 - Labelle Gramercy, On the Case
P. 91

Overtime

        << 3 >>

          I locked the closet door. Labelle’s next stop was Vincent Kates’s
        desk.  A  few  flowers  had  already  been  deposited  in  corners  of  the
        cubicle, liberated perhaps from the lobby. The chances of our being
        unobserved  were  nil.  Someone  was  sitting  in  the  decedent’s  chair,
        doing  something  with  the  computer,  his  back  to  us.  This  seemed
        disrespectful,  somehow,  as  if  the  dead  man’s  field  should  be  left
        fallow  for  a  suitable  period  of  mourning.  But  work  had  to  go  on,
        especially  Y2K  work.  I  recognized  the  man:  Hardin—R.  Terry
        Hardin,  per  the  name  tag  slotted  into  the  bracket  on  the  cubicle
        partition  a  few  feet  down  the  hall.  He  was  assigned  to  the  same
        project as Kates. Perfectly reasonable for him to be poking into his
        coworker’s files. Wasn’t it?
          I  cleared  my  throat.  “Terry.”  I  had  no  love  for  the  childish
        conventions  of  casualness  pervading  offices  everywhere,  but  no
        choice other than to adopt them—along with the political correctness
        grudgingly accepted by what was left of the increasingly beleaguered
        white  male  Anglo-Saxon  management  in  corporate  America.  The
        workforce, thanks to immigration and civil rights enforcement, had
        become diverse, and affronts to that diversity resulted in lawsuits—
        real  pain  that  HR  was  supposed  to  prevent.  That  boiled  down  in
        practice to eliminating eccentricity—no sexual harassment or the hint
        of  it,  no  ethnic  jokes,  nothing  that  could  possibly  give  offense  to
        anybody—and a virtual infantilization of office workers, including a
        studied informality in speech, dress and manner, all in lockstep with
        lowest-common-denominator  dumbed-down  televised  cultural
        norms. Had I said, ‘Mister Hardin,’ it would have been considered a
        patronizing provocation rather than adherence to a civilized norm of
        adult behavior in a civil society.
          Unstealthy though our approach had been, Hardin twitched and
        the screen image instantly flipped to an innocuous TimeWarper press
        release I had broadcast a week earlier. He turned and glared at us, a
        passive-aggressive introvert caught in some minor transgression. His
        watery eyes bugged through thick glasses at each of us in turn.
          “Eh? Oh, it’s you, Powell. Good. I can’t get past Vinnie’s stupid
        password  protection  on  his  project  files.  I  thought  I  knew  all  the
        codes  he  kept  using  over  and  over—supermodel  names  from  the

                                       90
   86   87   88   89   90   91   92   93   94   95   96