Page 12 - Like No Business I Know
P. 12

Movie Time

        reading about the lives of movie actors and actresses. Now, as I have
        been led to understand, that curiosity will not abate in the future. In
        three  hundred  years,  the  conduct  of  Clark  Gable  and  Elizabeth
        Taylor will still be hot topics. But  presentation of that information
        will  have  advanced  far  beyond  our  newspapers,  television  and
        movies.  More  direct  methods  of  re-experiencing  events  will  be
        available, utilizing sensory reconstruction for virtually total accuracy
        of reproduction. Don’t ask me how; I am, after all, living in this era,
        not the future—and glad of it, I can tell you!  It doesn’t sound very
        nice to me.”
          Shifting uncomfortably on the sofa, Heidi remained puzzled.
          “I suppose this makes sense to you, but let me get it straight: what
        do I have to do to get those—those rewards?”
          “Not  very  much.  A  microscopic  null-interval  transmitter  will  be
        implanted in the back of your brain. All you have to do is will it to
        start sending your sense impressions whenever you come into contact
        with  show  business  people.  It  cannot  function  without  your
        acquiescence; some sort of built-in protection of the carrier’s privacy,
        I guess. That’s why you have to agree to participate.”
          Heidi  stood  up.  This  was  getting  too  kooky  for  words.  But  the
        money...  “Look  here.  Suppose  I  believed  you.  Even  if  there  were
        some sort of time travel or communication of historical events, why
        would they bother with me?  You could offer this deal to an aide in
        the  White  House  or  the  United  Nations.  What  about  all  the  great
        artists and authors and composers in history? Intimate details of their
        lives  ought  to  be  of  greater  interest  and  importance  than  the  silly
        scandals and displays of temperament in Hollywood.”
          Mrs. Lachesis shook her head sadly.
          “Yes, I know. That occurred to me, as well, when I was recruited.
        But, as I said, transmission is very costly. The people controlling the
        technology  cannot  make  money  offering  the  public  the  sights  and
        sounds of events of true historical significance. What sells is—or will
        be—called  ‘Movie  Time’  in  the  future.  You  see,  nothing  will  have
        changed in the next three hundred years.”
          The script-girl shrugged. She was past thirty and her career as an
        eccentric dancer had ended following an accident at the Palladium.
        Prospects  for  a  woman  in  her  position  were  limited.  A  discretely-
        supplied supplement to her income would definitely make life more

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