Page 28 - Unlikely Stories 2
P. 28

VERONICA


        this fellow when he was just plain John Isty, a Knightsbridge dealer in
        bric-a-brac.
          “Then I have a proposition, one which may at first strike you as
        quite  extraordinary.  But please  hear me  out: if we  can come to an
        agreement, it will be to the benefit of all parties.”
          Sir  Payne’s  septuagenarian  eyebrows  lifted,  dragging  along  his
        upper eyelids. He had not counted on venturing beyond the bounds
        of the ordinary. “I shall certainly endeavor to give you my complete
        attention,”  he  replied.  “The  art  world  is  not  my  bailiwick,  but  I
        understand an offer when I hear it.”
          “Thank you, Sir Payne.” Jean d’Istaille took another sip of sherry
        and gathered his thoughts. “First, a bit of background. The rest of
        the world has changed immensely in the past thirty years, and the art
        world is having to catch up—painfully. You may already have noticed
        the sale prices for paintings going down at Christie’s. This is driven
        largely by the loss of funding of museums in every country. As an
        institution  generating  support  from  the  population  at  large,  the
        museum, like the library, has in large part become a dinosaur. The
        level of cultural literacy has slipped to near-barbarism in the civilized
        world, thanks to television and computers.”
          “Eh?  I  thought  all  that  computer  nonsense  was  supposed  to
        stimulate the little blighters to study more, not less.”
          “Ah,  there’s  the  rub.  The  decades  of  passive  television  were
        followed  by  decades  of  interactive  video  games;  both  phenomena
        reinforced the attention deficit syndrome from which a majority of
        our  citizens  suffer,  regardless  of  educational  level.  The  practice  of
        actually going to a museum and contemplating a work of art is dying,
        and it is happening at a time when financial pressures are the greatest.
        The old guard, if I may call it that, Sir Payne, that used to place its
        philanthropy  in the service  of museums like ours,  is vanishing;  the
        new wealth is being hoarded or donated to environmental causes.”
          “Now  you  mention  it,  I  am  aware  of  these  new  directions  in
        popular  taste.  I  sometimes  find  it  difficult  to  hold  a  decent
        conversation with my own grandchildren.”
          “Quite.  Another  trend  you  might  not  have  noticed  is  licensed
        merchandising. Any institution which holds trademarks or copyrights
        has  become  increasingly  dependent  upon  revenue  from  T-shirts,
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