Page 53 - The Myth and the Moment
P. 53

Afternoon

        He evidently saw his chance with that play. He manipulated me, he
        manipulated you—whether you know it or not—he managed to turn
        the  whole  thing  around  so  that  it  came  out  like  a  television  play:
        second  rate  Paddy  Chayefsky  or  Tennessee  Williams  at  best.  The
        experience left such a bad taste in my mouth that I quit, rave reviews
        notwithstanding. I went on to other things: politics, poetry, marriage,
        divorce, odd jobs, it doesn’t matter. What matters is that within two
        years  Phil  Kolpak  put  on  three  more  plays,  all  authored  or  co-
        authored by him. They were great successes, and gave him the power
        to move up the show-business ladder. They were also all based on my
        ideas.  After  the  second  one  I  tried  calling  him;  his  number  had
        changed and was now unlisted. I never got through. I sent him letters
        care of the theater. No answer. I finally gave up. That is why today’s
        experience has been so horrifying to me. It’s a replay.”
          Forgot to look her in the eyes again!
          “That’s quite a story, Nate. I used to wonder why you never had
        another hit. Phil said once that you couldn’t handle success. I mean,
        he  said  it  very  sympathetically.  He’s  a  very  complex  man:  even  I
        cannot always read his mood. Now, your mood is obvious. I’ve never
        seen such a mottled aura. You certainly will make yourself ill if this
        goes on much—”
          Rrrring!
          She’s right. I’m so tense my head aches. Aura?
          “Hello? Yes. Yes, Phil, he’s still here. Yes. Yes. No, I’m free until
        three o’clock. What? No, it’s the Centrifix Group. All right, I’ll try.
        And if he won’t? All right. Yes. Thank you. Goodbye.”
          The what? What is this?
          “Nate: here is what he says. He doesn’t want to deal with you over
        the phone, or through me. He wants you to go up to his house and
        talk things over.”
          “I don’t want to talk things over. I want my papers.”
          “Now  you’re  sounding childish. It seems  to  me  he’s  being  quite
        reasonable. If you want to settle this without making a bigger scene,
        then you ought to take him up on it while he’s still in a good mood.”
          But what if—ah, what more could he do to me? He doesn’t even
        know what he’s already done. I’m not afraid of that son-of-a-bitch.
        He’s not so tough. Got to be at least as old as I am, and probably



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