Page 88 - Labelle Gramercy, Detective
P. 88

Cat’s Paw

            I gulped down a burning mouthful of coffee. “Deported? Who the
        hell are you? Where are you from?”
            She drew herself up, nostrils flaring. “I am Lola Costa, the Bahian
        ballerina.  I  was  a—how  you  say—defector  from  the  Brazilian
        National Ballet last year. It was because of Arthur. He said he loved
        me, and he took me to a place where we were married. Now he is
        dead, and I have no proof. Unless the paper is in his house.”
            “You mean the marriage certificate?”
            “Sim—yes, that is what I must have. That is what the lawyer of
        immigration has told me. Otherwise I have no hope.”
            This was incredible. “But, but—if you were married to him, don’t
        you have a key to the house? Didn’t you live there with him?”
            She lowered  her lashes demurely.  “Oh, yes,  Senhor, as man and
        wife  for many weeks before  he died.  But that other wife—the  old
        one—she  came  and  threw  me  out  and  changed  all  the  locks  so  I
        cannot come back.”
            Suddenly the whole  thing seemed phony.  Her outfit, her  accent,
        her  story.  But  Ruth  and  Hope  didn’t  really  ring  true,  either.  Had
        Mallard sent me into this madhouse of competing women because he
        thought I could handle crazy people? At any rate, I knew what this
        one  wanted,  so  I  could  cut  short  the  interview  and  get  home  to
        dinner.
            “Sure, I understand perfectly,” I said soothingly. “If I ever see your
        name  on  anything  in  that  house,  Miss  Costa,  I’ll  let  you  know.”  I
        stood up and attempted an encouraging smile.
            “Oh, I am so grateful to you, Senhor O’Bleakley. Let me give you
        my number of telephone.”
            I fumbled in my pockets and came up with a scrap of paper and a
        ballpoint  pen.  She  took  them  and  carefully  wrote  her  name  and
        number. Taking back the note, I realized it was the memo with the
        message about Albert Goode. It couldn’t have meant anything to her.
        Then I got out of there as fast as I could, and didn’t look back until I
        was on the road in my car and had to use the rearview mirror before
        changing lanes. Nobody was following me. I was totally on my own
        again, away from the workaday world and all its aggravations. It felt
        good.
            After an hour or two in my apartment, and a beer or two in my
        belly, I felt even better. My job seemed much more secure, and it was

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