Page 302 - The Legacy of Abraham Rothstein - text
P. 302

Catalogue Raisonné

           By 1990 the multitude of AR’s works had been sitting for years in
        the homes of several family members. What follows is a systematic
        attempt I made in that year to identify every one of those pieces and
        to interpret them—within certain limits. Some carvings will never be
        located  (for  example,  the  cane  given  to  Ben  Aronin);  others  have
        fallen to the ravages of time and circumstance (almost all the painted
        coconut  heads  have  disappeared,  and  most  of  one  chess  set  fell
        before the onslaught of a teething puppy); and yet others are known,
        tantalizingly, only in blurred photographic images (such as the group
        of plaster figurines once residing on AR’s old console radio) or the
        fading  memories  of  his  descendants  (where  is  that  large  rampant
        bear?).
           Nevertheless,  the  bulk  of  AR’s  work  is  intact,  and  it  is  almost
        certain that the missing pieces would break no new ground in either
        form or content. What is less certain, of course, is the future. Carmel
        Winkler, holder of the largest collection, has contacted various Jewish
        institutions regarding either exhibition or acquisition of those pieces;
        nothing has come of those inquiries. The time, perhaps, is not ripe
        for a wider appreciation of AR’s sculpture—or, at least, of his best
        pieces.  Are  they  Jewish art?  Folk  or  naïve art?  Unable  to compare
        with the canon of high-quality carvings of this century? But the time
        may  come  when  museum  curators  and  academic  art  historians
        recognize  their  value;  it  is  the  responsibility  of  his  descendants  to
        preserve AR’s legacy until then.
           Not catalogued is the urn AR made for his own ashes. As noted in
        Carmel  Winkler’s  reminiscences,  this  object  met  the  legal
        requirements  for  such  containers,  and  she  honored  his  wishes  by
        using it. As she described it, the outer rolled-metal surface was chased
        with images of the twelve tribes of Israel and a Hebrew inscription.
        That text, not translated until 1989, has survived on a scrap of paper,
        perhaps AR’s preliminary design:  “Transfer the  ashes of my  bones
        from this place to Jerusalem, land of my fathers.” Unfortunately, that
        wish (were it serious) he did not make known in advance, and AR’s
        urn is to be found today in  the  columbarium at Hillside Memorial
        Park in Los Angeles.
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