Page 382 - The Legacy of Abraham Rothstein - text
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Utilitarian objects

              AR  built  these  traditional  Purim  noisemakers  for  his
              grandchildren.  Four  are  made  of  plain  wood,  constructed  in
              one batch (the tongues are cut from the same crate slats); the
              fifth is painted blue, with “Haman” painted in red on top. The
              original function of the  grager was to drown out the name of
              Haman during the reading of the Book of Esther, but children
              have found more general uses for the ratcheted lamellophones.

        164  Aleph-bet blocks
              Wood
              25 blocks, 1.75” x 1.75” x 1.75”
              1 block, 1.75” x.5” x 1.5”
              Inscriptions: letters of the Hebrew alphabet, one per cube;
                               vowel on small block

              Precisely when or for whom AR made this pedagogical toy is
              not known; he may have created more  than  one  such set  of
              blocks for his children and grandchildren, but only this one—
              almost  complete—remains.  He  evidently  began  with  cubes
              sawn  from  a  2”  x  2”  board;  his  son-in-law  Max  could  have
              provided  this  raw  material.  The  intaglio  letters  and
              ornamentation  were  probably  burned  into  the  wood  with  a
              combination of soldering iron tips, some of which AR might
              have fashioned himself. A vogue existed in the early part of the
              twentieth  century  for  etching  designs  into  boxes,  chair-backs
              and  other  wooden  objects  by  this  method,  and  a  variety  of
              manufactured soldering iron tips were available to the hobbyist
              in  that  era.  One  is  reminded  of  AR’s  fondness  for  burning
              words  into  bits  of  wood  with  his  magnifying  lens  for  the
              edification of his grandchildren.

              He  evidently  used  a  straightedge  as  well  as  some  specialized
              irons to create the repetitive shapes of Hebrew letters within a
              square border (on four faces) and stylized Stars of David (on
              the grain ends); some chisel-work may have been required, as
              well,  but  it  is  not  easily  discernible.  He  painted  the  blocks
              yellow,  and  the  intaglio  branded  areas  orange,  blue,  black,
              green, and red. The lone vowel block appears intended to fit
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