Page 41 - Effable Encounters
P. 41

The African Dog

        ahead of the game you will be left behind. I’m here because of that,
        and I’m looking for an associate in this part of the Americas.”
            “Interesting. But the computer? I do not understand.”
            “The computer in the United States has become many things to
        many people,” replied Mosca, grasping the most recently arrived beer
        bottle to cool his hands. “A toy, an adjunct to shopping and talking
        and killing time; a business tool, threshing and grinding the data of
        commerce; and a library for the curious, giving anyone the means of
        reviewing tremendous quantities of information. A person trying to
        discover the trends which lead to profit must take advantage of all
        these functions, to obtain a competitive advantage. My own innate
        ability to predict what will become popular—the next million-selling
        recording  act—is  not  reliable,  and  I  have  had  to  face  that  fact.
        Jumping on the bandwagon is often treacherous; you can be thrown
        beneath the wheels of any juggernaut.”
            Mombeau smiled. “But you digress, Señor. The computer?”
            “Yes, yes, sorry. I’m just coming to that. Do you remember the
        unexpected  popularity  of  Eastern  European  choral  groups  and
        Gregorian  chants  a  few  years  ago?  I  couldn’t  believe  it:  low-brow
        Americans rushing out to buy CDs of esoteric unaccompanied vocal
        music in unintelligible languages. But then I did my homework. The
        trend  was  there  for  anyone  with  adequate  intelligence  to  perceive.
        The United States had reached a point of ennui with home-grown
        musical product and was ready to flirt, however briefly, with an exotic
        sound promising unspecified emotional or spiritual  exaltation. This
        happens  in  regular  cycles—regular,  if  you  have  plotted  their
        occurrence on the computer, of course. Meanwhile, my competitors
        made millions. I found myself over the crest of the wave, flailing for
        support. In my haste I predicted the fad would turn to the darker side
        of  human  nature,  skewed  by  contemporary  concerns  with  devil-
        worship and doomsday cults. I was wrong, and ‘Music of the Spanish
        Inquisition’ cost me dearly.”
            “I am sorry,” said Mombeau, after assiduously dabbing his mouth
        with  the  small  square  of  newsprint  provided  as  a  table  napkin.  “I
        must confess that your recording did not appear in Cuba; or perhaps
        it did, and I missed it.”
            “Thank you. This wasn’t the first time I had extrapolated trends
        incorrectly. A few years before that, when African pop music hit the

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