Page 83 - An Evening with Maxwell's Daemons
P. 83

The Wind God’s Last Altar

          Brad Razeberry squinted at the remains of his rice pudding, as if
        the  right  words  with  which  to  begin  his  presentation  were  stuck
        somewhere  on  the  surface  of  that  inchoate  but  self-adhering
        structure.
          “Now, I have an idea, but its elements are definitely unoriginal,”
        he began slowly. “So please don’t criticize it on those grounds. It
        has to have a twist at the  end—maybe an unexpected revelation.
        But  maybe  not:  the  alternative  is  the  inexorable  inevitability  of  a
        fated  destiny,  also  a  common  theme  in  our  genre.  And  the  least
        original  thing  here  is  the  disintegration  of  a  depopulated  society
        bereft of all the means of survival we now take for granted. So, an
        author has license in these scenarios to invoke as much atavism and
        environmental degradation as necessary to advance the plot. In my
        story,  a  small  band  of  human  survivors,  hurled  back  to  the
        popularly-accepted stereotypical Stone Age culture and technology,
        has  found  a  niche  in  which  they  can  survive  as  hunter-gatherers,
        relatively  secure  from  other  marauding  groups  and  the  harshest
        conditions.  They  live  near  a  high  mountain  plateau,  where  their
        forebears  found  a  mysterious  grove  of  tall  metallic  trees:  an  old
        wind farm, long disused, its towers slowly toppling as their rusting
        bases can no longer support the tonnage above against the howling
        winds that sporadically blow through the area. Of course, the future
        primitives don’t know the devices’ purpose, have no idea of electric
        power and cannot understand how humans could have built these
        mammoth structures.”
          “You can guess at their explanation: an extinct race of giants put
        the towers on Earth anow haves a means for communicating with
        and divining the intentions of the wind god. That omnipotent deity
        lives  in  the  sky,  the  source  of  inexplicable  and  unpredictable
        meteorological forces.  The dilapidated  condition of these  altars is
        taken  as  a  sign  by  these  people  of  the  withdrawal  of  heavenly
        favor—their  lives  are  blighted,  after  all.  So  they  pray  and  make
        offerings at the one pylon with blades that still turn in a stiff breeze.
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