Page 12 - Just Deserts
P. 12

The Decimator

        was Sandor Landsman’s favorite editor over at Leviathan Pictures. I
        did about ten films in a row for him.”
          “Really?  That  is  a  remarkable  achievement!    As  I  mentioned
        to  you  on  the  phone,  the  museum  is  collecting  material  for  a
        major  retrospective  exhibition  on  the  unheralded  artisans  who
        really  made  the  stars  and  directors  look  good,  but  who  never
        received  adequate  credit.  It’s  tentatively  titled,  ‘Hollywood
        Guilds  in  the  Golden  Age.’  Right  now  I’m  visiting  as  many  of
        the  significant  figures  of  that  era  as  I  can  locate,  in  order  to
        interview  them  and  examine  their  memorabilia.  If  you  can  spare
        it, I’d love to spend some time with you going over your career.”
          Jenkins  glanced  around  the  room,  as  if  in  search  of  projects
        urgently requiring his attention. His gaze finally came to rest on the
        appealing  face  of  Miss  Palazzio.  “I,  ah,  don’t  see  why  not.    Now,
        what you see here isn’t everything I’ve got. There’s a lot of stuff out
        in the garage: old publicity stills, original theater posters, even a few
        cans of film—outtakes I salvaged for my own amusement, as it were.
        If you like, we can take a look through that, too.”
          Her bright red lips spread into a grin. “That’s great, Mr. Jenkins!
        Just the sort of thing I love to do. Of course, if  the museum decides
        to borrow or purchase any of your collection,  I can assure you that it
        will  be  handled  with  the  greatest  care,  and  restored  or  conserved
        using the most modern methods. One segment of the show needs
        additional  material,  I  can  tell  you  that  right  now:  how  film  editors
        actually work. Some of that footage from the cutting-room floor may
        be of help to me. And any photographs of you on the job, of course.
        Or other documents or old editing equipment you may have kept—I
        can’t tell what will be of value until I see it, you understand that.”
          “Certainly,  certainly  I  do.  I  welcome  the  opportunity  to
        contribute to your exhibition. Anything I can do, anything at  all, just
        ask!” He had become increasingly animated, most  notably following
        her  utterance  of  ‘purchase.’  Together  they  walked  through  the
        dilapidated house to a door in the kitchen giving access to the dank
        and musty attached garage.

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