Page 20 - Just Deserts
P. 20

The Decimator

        pay  the  ultimate  price,  assassinated  by  gangsters  twenty  minutes
        after  the  opening  credits:  Sunderbar  would  not  allow  any  greater
        incursion into his role as avenging angel.
          On screen Detective Johnson backed quickly around the corner of
        a deserted tenement, service revolver in hand. He bumped into Rod
        Deal, coming from the other direction in the identical posture. The
        mirror images recoiled, about to shoot each other, when recognition
        dawned  on  their  surprised  faces.  “Deal!”  hissed  the  policeman.
        “What the hell are you doing here? You want to get yourself killed?”
          “No.” replied the unflappable Decimator. “I’m trying to keep us
        both from getting killed. I’m after drug dealers the same as you are.
        Let’s work together on this thing, okay?” In a head shot, Johnson’s
        face went through a rapid transformation. “You know,” he purred,
        amity  and  glycerin  oozing  from  his  pores,  “I  had  you  all  wrong.
        You’re one of the good guys.”
          The clip ended and Keller began talking, his delivery speeded up
        by a surreptitious hand signal from Hathaway. “Okay, again we have
        a subtext. The main message, of course, is that you, Crag Sunderbar,
        are always on the side of justice, despite your outsider status, and that
        the few honest people in the government are forced to admit it. You
        come across with a strong law-and-order message, and most of the
        boobocracy think the best way to deal with America’s drug problem
        is  to  blow  away  everyone  connected  with  it.  The  racial  content  is
        more ambiguous, getting into that hidden persuader I mentioned: the
        disadvantaged minority group member appears, however briefly, on
        the  same  level  as  the  Anglo-Saxon  hero,  the  brotherhood  of  man
        affirmed.  But  what’s  really  communicated  here,  unconsciously
        apprehended  by  Caucasian  viewers,  is  that  the  blacks  can’t  handle
        their own problems, that a white man has to take charge and clean up
        the mess—no matter how brutally. The non-WASP  audience will see
        what  it wants:  racial equality. And  there  is  a  significant  number  of
        blacks  in  your  constituency,  but  they  are  a  sleeping  dog;  most  of
        them will not vote unless their rage can be awakened and focused.
        This will act as an effective soporific. Now, moving right along, we
        have our fourth little morality play.”
          With  a  burst  of  sound  and  a  swirl  of  smoke  and  fire,  a  sleek
        low-slung  sports  car  careened  out  of  the  garage  exit  of  a  burning
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