Page 46 - Fall 2019 inLEAGUE with Historic Theatre Resource Guide/Allied Member Directory
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National Trust Insurance Services                      examine alternative designs, look for innovation,
                                                               respect the existing context, and provide cost-
        Contact Information:                                   effective solutions that remain on budget.
        Kevin Sullivan, Client Executive
        10150 York Road, Suite 420, Cockeysville, MD
        21030                                                  OTJ Architects
        kevin-sullivan@mdpins.com
        (410) 547-3176                                         Contact Information:
        http://www.nationaltrust-insurance.org/                Gary Martinez, FAIA, Partner
                                                               555 11th Street NW, Suite 200, Washington, DC
        Company Description:                                   20004
        Maury, Donnelly & Parr, Inc. (MDP) is the              martinez@otj.com
        administrator of National Trust Insurance Services,    (202) 621-1000
        LLC (NTIS) and the Historic Theatre Insurance          http://www.otj.com/
        Program exclusive to LHAT. NTIS is proud to
        support LHAT as a strategic partner and to assist      Company Description:
        members in finding the most comprehensive and          OTJ approaches the design of performing arts
        affordable insurance to meet their organization’s      facilities by looking to the future experience
        needs. Historic theatres are unique, and this          of the community, patron, performer, and
        should be reflected in the insurance products          operator, even when the context of the venue
        that protect them. Our program provides policy         is firmly rooted in the past. Our team has met
        features that are not available in the general         the challenge of renovating historic assets to
        insurance marketplace. As a subsidiary of the          accommodate opera, symphony, chamber
        National Trust for Historic Preservation, NTIS is the   music, and a single public speaker in successive
        leading provider of insurance solutions for historic   performance slots. By aligning practical solutions,
        properties.                                            sound project management, and exemplary
                                                               architecture, we deliver solutions that maximize
                                                               flexibility, ease of operation, and versatility while
        Orchestra Design Studio                                artfully balancing the requirements of clients and
                                                               those of the communities in which they practice.
        Contact Information:                                   Our historic theatres include the Cincinnati
        Katherine S. Georgeson, FAIA LEED AP, Architect        Music Hall; King’s Theatre in Brooklyn; Paramount
        2529 South 7th Street, Sheboygan, WI 53081             Theatre in Charlottesville, VA; Paramount Theatre
        ksg@stagearch.com                                      in Cedar Rapids; and Saenger Theatre in New
        (414) 405-8658                                         Orleans.
        http://www.stagearch.com/


        Company Description:
        ORCHESTRA Design Studio is a passionate
        advocate for the key role that theatres play in
        building strong and sustainable communities by
        creating environments in which artistic expression
        and social interaction will flourish. Founded
        in 1992, our staff of architects, designers, and
        researchers work with leading cultural and
        educational institutions to plan spaces that
        reflect our clients’ highest aspirations. We
        have designed over 150 theatres ranging from
        historic restorations to new construction. Our
        design process is both comprehensive and
        collaborative, resulting in flexible and finely-tuned
        environments that enhance the art of performers,
        artisans, and technicians. In addition, working
        with many non-profit institutions taught us to

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