Page 4 - Fujifilm Exposure_45 Ondine_ok

Designed with DI in mind
Eterna RDI used on THE GOLDEN COMPASS
“Fujifilm RDI offers finer detail, low grain, expanded latitude and more accurate colour reproduction from digital intermediate files. A first generation print from Fujifilm RDI is a gorgeous thing.”
Peter Doyle – Independent Digital Colourist
Eterna RDI used on THE DESCENT: PART 2
“Fujifilm RDI gives a greater colour gamut, delivering more saturated colours and rich detailed blacks. The image on RDI has more detail than other negative stocks; this crisper image keeps the bulk prints looking like they were struck straight from the original colour negative and not from dupes.”
Asa Shoul – Digital Lab Colourist, Framestore
Eterna RDI used on HUNGER
“Fujifilm RDI has been designed specifically for ‘Digital Intermediate’ film recording technology, producing digital negatives which have less flare, less cross talk and an overall increase in sharpness – The result speaks for itself, a truly impressive image on the big screen!”
Paul J Wright - Director of Technology, Dragon Digital Intermediate Ltd
Eterna RDI used on ARRILASER
"We are delighted that the Fujifilm RDI stock has been designed with the ARRILASER in mind. The extraordinary research and work that has gone into developing this stock has resulted in a perfect integration of digital and traditional film technologies. Fujifilm RDI, combined with the ARRILASER, contributes to a DI workflow that delivers the best possible image quality for modern cinema audiences.”
Henning Rädlein
Head of Digital Film, ARRI Munich
Fujifilm Motion Picture, 56 Poland Street, London W1F 7NN
Tel: 020 3040 0400 Email: movingimage@fuji.co.uk Web: www.fujifilm.co.uk/motion